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Dive Into Code! – Part 1 of 3

February 12, 2016 by Adriane Kuzminski

A vacant dock relaxes in the grand view of the Rainbow Park mountain range as a peaceful Alta Lake flickers below.

This article is a guest contribution by Leonard Paul, president of the School of Video Game Audio. He has worked on over twenty AAA and indie games such as 'Need for Speed: Hot Pursuit 2,' 'NHL11,' 'Vessel' and 'Retro City Rampage' as a technical sound designer and composer, and he has also composed for documentaries like 'The Corporation' and the upcoming 'Beep: A Documentary … [Read more...]

Quick Tip: Using Templates in Wwise

February 2, 2016 by Jack Menhorn

Guest post by Bradley Meyer Like any tool in a game developers toolbox, Wwise is a deep, complex program with an owners manual longer than most novels. Who has time to read through an entire manual these days? I wanted to show off a simple, often overlooked feature in Wwise, which may not be readily apparent to someone who hasn't read the manual. The ability to import a folder … [Read more...]

Walter Murch and Trains: A Sound Exploration

January 28, 2016 by Beau Jimenez

Guest Post by Beau Anthony Jimenez Introduction In the film and sound world, Walter Murch is a man that needs no introduction. But for the few who need a brief idea of this Renaissance man: Walter Murch is a pioneer of the film-sound world. His way of thinking about sound for film has been revered for decades. His body of work is legendary, both as a sound editor and … [Read more...]

PANO : Foley Synthesizer by Noise Makers

January 11, 2016 by Jack Menhorn

Sound effect synthesis is finally coming back into vogue and with recent increases in development as well as processing power; we are seeing great leaps in quality.  In that regard I  have asked Charles Verron, a developer of PANO to write this article explaining what they have been up to with their "foley synthesizer." … [Read more...]

Who Cares About Game Audio Organizations?

December 7, 2015 by lostchocolatelab

This article is a guest contribution by Damian Kastbauer and does not reflect the views of DesigningSound.org or its Contributing Editors. The article Brighten the Corners of Game Audio, that I wrote earlier this year, attempted to bring forward some of the things that I’ve experienced, specifically at the Game Developer Conference, and have gleaned from conversations with … [Read more...]

What My Deaf Cat Taught Me About Sound

December 1, 2015 by Doron Reizes

Guest Contribution by April Tucker Meet Yuki, one of my cats. She’s a tiny, feisty 6-year-old tabby. Earlier this year, we learned that Yuki had gone deaf after having normal hearing most of her life. She probably lost her hearing gradually, but it wasn’t obvious until one day when I was vacuuming and realized she was right by me, happily curled up and sound asleep. There’s a … [Read more...]

Adventures in SFX – Creating Port of Call

November 3, 2015 by Cormac Donnelly

Michael Raphael has been recording and releasing high res sound effect collections for sound designers and editors since 2010. His site Rabbit Ears Audio covers such diverse sonic ground as Hind Helicopters, train whistles, and typewriters. In a recent collaboration with Audio Director Rob Bridgett he has released a new library called Port of Call and they've kindly offered to … [Read more...]

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