Recently, the members of the Gang Audio Network Guild Interactive Entertainment Sound Developers (IESD) Branch sat down to record a one-time podcast to discuss the GANG Award for Best Mix. In the podcast, they discuss the judging process, the nominated games and their strengths, and the close competition for the award. The podcast features Kenneth Young, Rob Bridgett, Damian … [Read more...]
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Critical Listening: A Game Audio Professional’s Dilemma
Guest Contribution by Berrak Nil Boya As a composer, musicologist and a sound designer who is making a transition to the world of game audio for the last year or so, not only do I have a new level of respect for everyone who works as a game audio professional but I also became aware of various changes I am going through almost daily to adapt my already established skill set … [Read more...]
Designing Silence
"Ideally, for me, the perfect sound film has zero tracks. You try to get the audience to a point, somehow, where they can imagine the sound. They hear the sound in their minds, and it really isn't on the track at all. That's the ideal sound, the one that exists totally in the mind, because it's the most intimate. It deals with each person's experience, and it's obviously of … [Read more...]
Should It Make A Sound?
Guest Contribution by Rob Bridgett For the past 14 years I've been a proponent of sound as a deeply integral part of the video game development process, getting audio involved earlier, allowing it to become a part of decision making and concepting, allowing sound's early presence, excitement and enthusiasm to influence the other disciplines involved in the … [Read more...]
SFX Independence – September 2013
In comparison to the swathe of releases and sales through the summer months, September has been an altogether quieter affair on the SFX library front. The following libraries are all available to purchase/sample now. SONIC SALUTE - Car Doors: Exteriors - Open and Close [soundcloud url="http://api.soundcloud.com/tracks/97155692" params="" width=" 100%" … [Read more...]
Acoustic Dirt
Guest Contribution by Rob Bridgett who is (probably) the most Easterly Audio Director in North America. 47º 34' N, 52º 41' W. Since June, 2000 he has worked as a video game developer. DESIRABLE NOISE There are a lot of problems in the modern world with noise, and it is interesting the effect that the aesthetic of noise has had on media such as film, game, radio … [Read more...]
Finding Your Way With High Dynamic Range Audio In Wwise
Guest Contribution by: Louis-Xavier Buffoni – Software engineer at Audiokinetic HDR in a Nutshell HDR (“High Dynamic Range”) audio is a technique which draws its inspiration from the local adaptation method used in HDR imaging, which “attempts to maintain local contrast, while decreasing global contrast.” [1] In audio, this local/global dichotomy applies to time, and contrast … [Read more...]