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postPerspective: The Meg: What does a giant shark sound like?

September 9, 2018 by Ethan Grafton

Image from postPerspective In this article, Jennifer Walden explores the work of Erik Aadahl, Ethan Van der Ryn, Jason Jennings and the E² Sound team on Warner Bros. Pictures’ The Meg. The music is very sparse, just a little bit of violins to give you that shiver up your spine. Then, WHAM!, the sound of the attack just shakes the whole facility. Read the full article on … [Read more...]

Our Favorite Sounds of 2017

January 1, 2018 by Jack Menhorn

The year 2017 has been one of many great articles, interviews, and discussions here at Designing Sound and we want to thank all of our readers for their attention, suggestions, contributions, and overwhelming support. There have been so many great films, shows, games, and events this year that we thought we would share some of our favorites for you to go back and check out in … [Read more...]

A Case Study in Quad-Binaural Mixing for Linear VR/360

September 27, 2017 by Shaun Farley

A screenshot of Pro Tools showing the required channel mutes and mix rotation plug-ins to generate the "90 degree" side mix

In the fall of 2016, I was asked to sound design and mix a VR/360 short called UTURN. While there’s a lot of discussion surrounding immersive/3D sound for games, I don’t see a lot of conversation on the linear side. I’ve been meaning to get something written up regarding the approach we took, and my schedule finally lightened up enough to for me to follow through on … [Read more...]

Randy Thom: The Tyranny Of Reverb

March 27, 2017 by Michael Klier

Randy Thom just published an interesting piece on the (over)use of Reverb on his blog. I think another natural tendency of ours also drives us to over-reverb:  humans are innately fascinated by reverb.  It’s why so few of us can resist blowing our car horns when we drive through a tunnel.  It’s why the voices of the clergy seem all the more holy in the echo-y environment of a … [Read more...]

Mixing “Serial” (no milk required) – An interview with Kate Bilinski

February 20, 2017 by Richard Gould

For this month's theme, I interviewed Kate Bilinski who was a editor and mixer on the second season of the Serial podcast. Kate is a sound designer and re-recording mixer. Outside of the Serial podcast, she makes noises for film and television, including Todd Solondz’s ‘Wiener-Dog’ and the Emmy-winning documentary, ‘We Could Be King.’  Serial is a serialized award-winning … [Read more...]

53rd CAS Awards: Nominations For Outstanding Achievement In Sound Mixing Announced

January 11, 2017 by Michael Klier

The Cinema Audio Society (CAS) announced the nominations for for outstanding achievement in sound mixing. We are proud to congratulate all our well deserving nominees for their stellar work. We also have the good news of announcing for the first time nominations for Outstanding Achievement in Sound Mixing for a Motion Picture Documentary. -- Mark Ulano, CAS … [Read more...]

Sunday Sound Thought 51 – Ornery Listener

December 18, 2016 by Shaun Farley

As the year continues, many of these posts will be philosophical in nature. Some will be in contradiction to previous postings. These are not intended as truths or assertions, they’re merely thoughts…ideas. Think of this as stream of consciousness over a wide span… There used to be a time when I could turn off the sound editor/mixer side of my brain while consuming … [Read more...]

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