“Inception” – Exclusive Interview with Richard King
Photo by Alex Eylar There's been great coverage on the sound of Inception. Mix Magazine, Soundworks Collection, and Wired Magazine posted articles and videos about sound editorial and mixing while Coffey Sound interviewed production sound mixer Ed Novick about his experiences on set. Nevertheless, I attempted to blaze some new trails ... read more.
Bruce Tanis Writes on his Two 2010 Emmy Noms
Bruce Tanis, who was recently featured here, has made a post for Colin Hart talking about his two Emmy nominations for Fringe and Temple Grandin. Hi Colin. As you know, I was lucky enough to be nominated recently for a Sound Editing Emmy Award for this past television season. Actually, I ... read more.
“PREDATOR” 1987 – Exclusive Interview with David Stone
This is the start of something new here at Designing Sound. Once a month we'l try to interview a sound person from a past film. I haven't figured out a formula yet of what films or years to feature so It may be a little hurky jerky time period wise ... read more.
“Predators” – Exclusive Interview with Paula Fairfield & Carla Murray
Sound designers Paula Fairfield and Carla Murray took time out to answer few questions about their work on "Predators". They have been featured a few interviews already HERE and HERE. Stay tuned for a companinion interview with one of the sound supervisor David Stone from the original 1987 Predator next week. PF ... read more.
Randy Thom on the Sound of “How to Train Your Dragon”
SoundWorks Collection has just released a new sound for film profile featuring Sound Designer Randy Thom, talking about the sound of "How to Train your Dragon". Supervising Sound Mixer and Sound Designer Randy Thom talks about Dreamworks Animation 3-D thrilling action-adventure “How to Train Your Dragon”. Find out how the roster ... read more.
Video Interviews: The Hurt Locker
Wait the Oscars were last weekend? Hurt Locker blew up winning both sound categories, positioning sound soup and re-recording mixer Paul Ottosson up on stage for back to back acceptance speeches. Production sound mixer Ray Beckett was the only other sound winner for the film sharing the mixing ... read more.
All About the Sound of “The Hurt Locker”
As you may already know, Paul N.J. Ottosson has won the academy award for Best Sound Editing and Best Sound Mixing with Ray Beckett. Need to know why "The Hurt Locker" won the two prizes? Here are some links to the posts previously published, all with info about the sound of ... read more.
Paul Ottosson Talks About Working on “The Hurt Locker”
More "The Hurt Locker", this time a really cool video from "Making Of" with Paul Ottosson talking about the sound editing and mixing of this great film. read more.
Paul Ottosson on “The Hurt Locker”; An Interview with Oscar Nominee for Sound Editing and Mixing
Mix Magazine published a new interesting interview with sound designer Paul N.J Ottosson, Academy Award Nominee for Sound Editing and Sound Mixing for his amazing work on "The Hurt Locker". Did you do much original effects recording? A fair amount. I also had a lot of my own library material that I’d ... read more.
How to Judge the Best Sound Editing Oscar
As the Academy Awards approach, Skip Lievsay expalins at Slate V what goes into great sound editing. Via: FilmSound Daily read more.
