Korey Pereira: Johnnie, thanks for taking the time to talk to me and the designingsound.org readers about the sound of Director Yorgos Lanthimos’ latest film, The Favourite. This is the third of Yorgos’ films you have worked on; how did that relationship begin? Johnnie Burn: Hi Korey! Thanks so much for your time. I’ve got so much from Designing Sound and feel really … [Read more...]
Creating the sound for the animated film, Tightly Wound
Working in post sound, there tends to be a lot of commonalities between projects. In general, we don’t start work until the picture has been shot and edited. When the files come in, we divide up the editing, record foley, record adr, and schedule the final mix. The post sound process for an animated film is a little different. Most notably, work begins before a single frame … [Read more...]
Wayne Bell: The man behind the sounds of The Texas Chain Saw Massacre
It was the summer of 1973 and Wayne Bell was part of a crew of young filmmakers making what would become the cult classic, The Texas Chain Saw Massacre. Forty-five years later, Wayne is still in Texas, doing what he loves and making sounds for films. Recently, I had the opportunity to sit down with Wayne and gain some insight into the sound of The Texas Chain Saw … [Read more...]
Capturing the Sonic Character of Costa Rica
For anyone that has spent time in Manhattan, the city has its own sonic roar that makes it uniquely identifiable as New York. Pro Sound Effects has released a library, NYC Ambisonics, which embodies this idea and really inspired me as a designer to start using and recording my own ambiences. As a sound designer, traveling has the added benefit of providing the opportunity to … [Read more...]
Know Thy Mixer: A guide to adapting your sound editing workflow
Unlike picture editors, whose every cut is projected on the big screen for everyone to see, we as sound editors work with the intangible. There is no right way to edit sound and if done properly, we can get away with a lot. Every project, scene or audio file can provide a unique set of challenges that we as editors have to contend with. “How should I remove that … [Read more...]
Foley in the heart of Texas, with roots in Hollywood
Susan Fitz-Simon (Boyhood / Last Flag Flying) is a veteran foley artist with over 20 years of experience in the industry. Susan is currently the lead foley artist at Soundcrafter, a post-production audio facility based in Austin, Texas. Soundcrafter recently opened a state-of-the-art post-production facility, including a foley stage and prop room. We caught up with Susan … [Read more...]