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Art and technique of sound design

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Review: Glitchmachines – Quadrant

June 15, 2014 by Jack Menhorn

A few months ago Glitchmachines released Quadrant a "modular sound generator and effects processing plugin geared toward experimental sound design and electronic music production." Quadrant also " includes a Eurorack modular synthesizer sample library comprised of over 1500 samples.". For $49 this sfx processor + library gives you a lot of content to learn and play … [Read more...]

Whoosh Review

February 25, 2014 by Shaun Farley

In the last year, we’ve all been happy to see the slow emergence of software tools designed explicitly for sound design. The fine folks over at Tonsturm are the latest to release one such tool under the moniker Melted Sounds. Whoosh is a Reaktor based plug-in for designing, as implied by its name, complex and varied motion elements and pass-bys. The basic idea behind the tool … [Read more...]

Review: Twisted Tools METAMORPH

December 20, 2013 by Samuel Ejnes

METAMORPH is the latest sample library from Twisted Tools, makers of the designed sample libraries as well as some fun and unique Reaktor ensembles. With sounds designed by BJM Mario Bajardi and Komplex (Iter-Research), METAMORPH "takes heavily processed violins, pianos and acoustic instruments and morphs them into impacts, sci-fi atmospheres, user interface elements and … [Read more...]

A Second Look at the Hybrid Library

December 5, 2013 by Shaun Farley

Earlier this year, I reviewed the Hybrid Library from Pro Sound Effects. Overall, it was a fairly positive review. While I was impressed with the library, I also pointed out some of its rough edges. The primary focus of the review was on the library's metadata and how it would affect work-flow. I won't go into heavy detail on the process here, as you can simply lick on the link … [Read more...]

Review: Game Audio Culture by Rob Bridgett

October 1, 2013 by Jack Menhorn

Review by Karen Collins “Game Audio Culture” isn’t a book, so much as a manifesto. Dragging sound design (perhaps somewhat reluctantly) from out of the darkened underground studios and out into the open, Bridgett proposes that it’s time that sound designers started to be more collaborative with the rest of the game team. Bridgett boldly states that we’re in a “post-sound … [Read more...]

Review: Robobiotics

September 17, 2013 by Jack Menhorn

Although we are halfway into a new topic month here on Designing Sound; listening through Empty Sea’s new Robobiotics library makes me think about last month’s “Noise” topic. Of course not in any negative way mind you, but noise in the way Rob Bridgett described it as: “desirable noise”. If you think about it robot servo motor sounds/foley have become an integral part of … [Read more...]

Review: Rob Papen’s The 4 Element Synth

July 30, 2013 by Erica Basnicki

Let me just start by making one thing perfectly clear: I have never been a synth head, mostly because I’ve always found that designing with recorded audio is much more immediately satisfying. Rob Papen’s The 4 Element Synth might change that. I have taken courses, read magazines, looked up tutorials online and otherwise tried very hard to wrap my head around synthesizing my … [Read more...]

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