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Art and technique of sound design

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Glitchmachines release Quadrant

April 21, 2014 by Joshua Kaplan

Quadrant is a new modular sound generator and effects processing plugin geared towards experimental sound design. It features a broad selection of modules, connectable through a graphical patching system, allowing for a very wide and customizable range of sounds and effects. The plugin can be used to generate textures, or as an effects processor, providing a number of different … [Read more...]

Website Policy

April 16, 2014 by Varun Nair

Designing Sound is a run by a team of volunteers. The site does not have any commercial motives which is why there is no advertising, paid content or any sort of commercial promotional activities. The line can get blurry and it is important for us to follow a policy guideline. The website wouldn't be what it is without the amazing community and all the great contributions we … [Read more...]

Making The Best Out Of Something Broken

April 15, 2014 by Jack Menhorn

It is fitting that with our theme of "Broken" this month I would accidentally wash my Zoom H1 Handy Recorder in the washing machine. I had taken the H1 with me to GDC just in case any cool sounds popped up for me to record (they didn't). So when I got home and tossed the backpack in the wash to get the San Francisco grime off of it I completely forgot the very light H1 was … [Read more...]

MASTER CLASS: Skip Lievsay, Academy Award-Winner for Best Sound Mixing on GRAVITY

April 14, 2014 by Jack Menhorn

Bit short notice but if you're in NYC on April 19 there is a pretty cool master class happening: "On Saturday, April 19th, come join us at the Media Center to watch the Academy Award winning film GRAVITY with master sound designer, Skip Lievsay.  We'll have lunch together and Skip will walk you through his experience working on GRAVITY.  Skip Lievsay has an outstanding … [Read more...]

Sonic Movement

April 7, 2014 by John Black

An interesting investigation into how cars 'should' sound. While our cities are in continuous visual and tactile evolution, our sonic landscape is primitive and disordered. With the dawn of silent electric vehicles comes a need for pedestrian warning sounds. This represents an opportunity to reflect upon the noise of our streets today and fantasize on what the future of our … [Read more...]

The Most Powerful Tool in Your Toolbox

April 7, 2014 by Shaun Farley

Guest Contribution by Richard Gould ...and a hold-over from last month's "Voice" theme I didn’t realise it until recently, but I’ve been a sound designer for most of my life. I may have only discovered the term “Sound Design” a few years ago, and I may have just graduated from studying the craft of sound design itself, but like most of us, I’ve been designing sounds since I … [Read more...]

“How to Record Waves” on Quiet Planet

April 5, 2014 by Shaun Farley

Gordon Hempton has a new article up on his Quiet Planet website talking about recording waves. Find a beach exposed to the open ocean (high-energy) with a large tidal change (higher latitudes) at least several miles from the nearest frequently used road (wilderness) that slopes sharply, so at low tide you encounter diverse substrates (sand, gravel, cobblestones). Head here to … [Read more...]

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