• Home
  • binary options trading cryptocurrency finpari binary options quotex trading withdrawal quotex bug strategy forex binary options system
  • About
  • Site Policies
  • Contact

Designing Sound

Art and technique of sound design

  • All Posts
  • Featured
  • News
  • Interviews
  • Reviews
  • Tutorials
  • Resources
    • VR Audio Resources
    • Independent SFX Libraries
    • Events Calendar
  • Series Archives
    • Featured Topics
    • Featured Sound Designers
    • Audio Implementation Greats
    • Exclusive Interviews
    • Behind the Art
    • Webinar/Discussion Group Recordings
    • Sunday Sound Thought
    • The Sound Design Challenge

Thank You to All Our Contributors

July 2, 2016 by Adriane Kuzminski

Two people hug with one person holding a free hugs sign. Article written by Adriane Kuzminski.
Photo: “FREE HUGS, in Hibiyakoen, Tokyo Prefecture, 2007” by J3SSL33: http://www.flickr.com/photos/eelssej_/394781835/ – CC Wikimedia

 

We’d like to thank everyone who wrote in and shared their stories for last month’s theme, Pushing the Boundary. These contributions not only gave insight into the diverse backgrounds of those entering sound and advice to anyone starting out, they also shared invaluable philosophies for how to make audio a lasting career. So take it from our contributors and make this field your own by looking for the gaps, getting organized, having fun, and doing it your own way (and avoid over-processing your sounds).

Just in case you missed anyone’s contributions, here’s a list of all those who shared.

Eduardo Ortiz Frau
Post | Twitter | Site
Alan McKinney / ZapSplat.com
Post | Twitter | Site
Mattia Cellotto / Mattia Cellotto
Post | Twitter | Site
Cedric Denooz and Frederic Devanlay / Red libraries
Post | Twitter | Site
Saro Sahihi / SoundBits
Post | Twitter | Site
Gaël Nicolas / Spheric-collection
Post | Site
Damián Sánchez / Sonotrigger
Post | Twitter | Site
Jeff Pitts / Secret Source
Post | Site
József Illyés / Debsound
Post | Site
Rafael Hofstadter / Piggysounds
Post | Twitter | Site
Tim Prebble / HISS and a ROAR
Post | Twitter | Site
Shaun Farley / Dynamic Interference
Post | Twitter | Site
Thomas Alf Holmemo / Norsonant
Post | Twitter | Site
Stephen Marche / Detunized
Post | Twitter | Site
Axel Rohrbach, Michael Schwendler, David Philipp Patrice Börding / BOOM Library
Post | Twitter | Site
Carl and Francesco / Lilesoundlibrary
Post | Twitter | Site
Sebastian Morsch / Sonocaine
Post | Twitter | Site
Alvaro de Iscar / Foley Collection; Surround Sound Lab
Post | Twitter | Site
Daan Hendriks / Dann Hendricks
Post | Twitter | Site
Heiko Lohmann / The Sound Pack Tree
Post | Twitter | Site
Frank Bry / The Recordist
Post | Twitter | Site
Christian Kjeldsen / contortDistort
Post | Twitter | Site
Kostas Loukovikas, John Varelidis, Nick Zlatko / Sound Ex Machina
Post | Twitter | Site
Pablo Valverde / Pablo Valverde
Post | Twitter | Site
Guido Helbling / Avosound
Post | Twitter | Site
David Forshee, Douglas Price, Jeremy Siegel, Andrew Emge / Pro Sound Effects
Post | Twitter | Site
George Vlad / Mindful Audio
Post | Twitter | Site
Sylvain Stoppani / BLINKSONIC°
Post | Twitter | Site
Stosh Tuszynski / Collected Transients
Post | Twitter | Site
Tilman Hahn, Emil Klotzsch / TONSTURM
Post | Twitter | Site
Mikkel Nielsen / Sonicsalute.com
Post | Twitter | Site
Katsy Pline, Danny Lewis, Daniel Shubat / Field Recording Working Group
Post | Site
Ana Monte / Monte Sound
Post | Site
Charles Maynes / Charles Maynes
Post | Site
Tom Hambleton, Travis Thorp, Chris Caesar / Undertone Sound Library
Post | Twitter | Site
Brandon Seyboth / Brandon Seyboth Audio
Post | Site
The Sound Keeper / Jeremy Rogers
Post | Twitter | Site
Chris Hegstrum / Symmetry Audio
Post | Twitter | Site

 

Filed Under: featured, guest post Tagged With: Pushing The Boundary 2016, thank you, thanks

Posts By Month

Copyright Info

All content on Designing Sound is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.

Copyright © 2026 · Magazine Pro Theme on Genesis Framework · WordPress · Log in