This one flew under our radar. Wired Magazine published this little piece on Inception’s Richard King recording sound effects from what I can recognize in the background scenery out in Orange Country, CA. Nice video, seems like the “b” camera to some of the recording shots in the Soundworks video. In addition, I’d like to forward THIS ARTICLE from chud.com to everyone who’s seen the film. interesting read on what inception might be really about (I’m hoping it is anyway). Lastly, I’m sure everyone’s seen this by now but below is the youtube clip showcasing a little secret in one of the major score cues from the film.
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[…] https://designingsound.org/2010/08/inception-sound-wired-magazine/ Share/Bookmark This entry was posted on Friday, August 20th, 2010 at 2:23 pmand is filed under Caution Nerdy. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site. […]
sgf says
It’s not really a secret, is it? Mr. Zimmer is going round in interviews saying it’s all over the score.
Jake Riehle says
True, I thought “little thingy in the score” didn’t have the same ring to it though.
matt beesley says
also hans zimmer cant seem to write his own music yet still manages to find work?!
Chenny says
It’s a pity the overloud wall to wall music demolishes so much of the SFX tracks…
A says
Music never killes the SFX track. It complements it.
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