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An Interview with John Roesch

December 17, 2013 by Samuel Ejnes

In  over 30 years working in sound, Foley artist John Roesch has amassed an impressive list of credits, including major films like "Inception" and "The Matrix" and games like "Final Fantasy X" and "Dead Space." With over 400 credits to his name, John was awarded the MPSE's Career Achievement Award earlier this year. I recently had the opportunity to sit down with John on his … [Read more...]

Separating Your Signal from the Noise: The Intersection Between Bit Depth and Branding

August 26, 2013 by Doron Reizes

As a sound designer, there are many different thoughts that come to mind when considering a topic such as noise.  Everything from using tone generated noise, like white noise in the designing of sound effects, to a technical discussion on different types of dither algorithms, but when I kept thinking about noise, one slightly different viewpoint of the word "noise" kept coming … [Read more...]

The New York Times: The Sound of ‘Inception’

February 18, 2011 by Miguel Isaza

The New York Times has published an interview with Supervising Sound Editor/Sound Designer Richard King and Re-Recording Mixer Gary Ryzzo and Sound Mixer Ed Novick, talking about their work on "Inception". As the Bagger discovered last season, it’s almost impossible for even the Academy’s experts to predict who will win the Oscars for sound design and mixing. But over the … [Read more...]

VARIETY: Music shapes sound effects

January 13, 2011 by Miguel Isaza

Variety has published a very cool article on how music shapes sound effects. There's a long history in film of finished musical scores being rushed to the final mixing stage and then being shoehorned in amid the dialog and effects in a sometimes contentious battle over sonic real estate. But in recent years, more directors have turned to composers earlier in the filmmaking … [Read more...]

The Washington Post: Use of Sound Effects in 'Secretariat' and Other Films

October 25, 2010 by Miguel Isaza

The Washington Post has published an article by film critic Ann Hornaday, who talks about the use of sound in film, specially the sound effects. She talks about the importance and good use of sound in several films such as "Secretariat, "Buried", "The American","Inception", "The Social Network", "Cast Away", "Pearl Harbor" and more. This might be not too much new stuff for a … [Read more...]

"Inception" – Exclusive Interview with Richard King

August 18, 2010 by Jake Riehle

Photo by Alex Eylar There's been great coverage on the sound of Inception. Mix Magazine, Soundworks Collection, and Wired Magazine posted articles and videos about sound editorial and mixing while Coffey Sound interviewed production sound mixer Ed Novick about his experiences on set. Nevertheless, I attempted to blaze some new trails below in a brief interview with sound … [Read more...]

INCEPTION SOUND: Wired magazine

August 4, 2010 by Jake Riehle

This one flew under our radar. Wired Magazine published this little piece on Inception's Richard King recording sound effects from what I can recognize in the background scenery out in Orange Country, CA. Nice video, seems like the  "b" camera to some of the recording shots in the Soundworks video.  In addition, I'd like to forward THIS ARTICLE from chud.com to everyone who's … [Read more...]

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