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Saturday, May 4, 2013
Guest Contribution by Randy Thom I’m on a plane from San Francisco to New York, May 3, and I see that the Designing Sound theme for May is…
Guest Contribution by Randy Thom I’m on a plane from San Francisco to New York, May 3, and I see that the Designing Sound theme for May is…
By: Karen Collins *note: some excerpts from this section are taken from my book, Playing with Sound (MIT Press, 2013). Music and sound design are often treated as…
Guest contribution by Cormac Donnelly I am, at heart, a techno-nostalgiast and I’ve worked with tape machines of one kind or other for most of my career. When I…
Cross-posting from my personal blog. This article is the follow up to Part 1 of Ideas in Sound Design: Deprivation and Barriers. I’ve gathered a selection of media…
Cross-posting from personal blog. I’ve had two ideas take obsessive root in my brain recently. They’re not new concepts, nor are they new to me. My first introduction…
“The ultimate metaphoric sound is silence. If you can get the film to a place with no sound where there should be sound, the audience will crowd that…
Walter Murch will be talking about sound at Chicago Humanities Fest 2011. The event is scheduled for Nov 13. Price is $10 in general admission and $5 for students….
While there have been numerous videos and interviews on the sound of “Apocalypse Now“, Andrew Quinn’s posted two awesome videos on his blog, featuring discussions between Walter Murch, Francis Coppola…
Wise words of Walter Murch: I think it’s generally misleading to say, “Well, that sequence had eighty tracks, it must be great.” Ideally, for me, the perfect sound film has…
Time to get yourself a new book, huh? Look at this: “A fascinating behind the scenes look at the previously unexplored territory of horror film sound.. Through in-depth…

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