Let us know about recent independent sfx library releases by using the SFX Independence Submission Form.
Announcing one of their largest libraries ever, Matter Mayhem from SoundMorph is all about debris and destruction. Created in collaboration with Frederic Devanlay (Sinematic, Solar Sky) and Cedric Denooz (Future Weapons), it contains over 1,500 sounds rendered as 24bit/96khz .WAV files, including:
– Bomb Blasts
– Blow Ups – Stone, Pebble, Metal, Wood
– Debris – Stone, Wood, Glass, Plastic
– Scaffold Impacts
Matter Mayhem is in Presale until April 28, 2014. Once purchased, it will be immediately available for download in your User Account. Check the website for full details.
Guest Contribution by Frank Bry
Check out part 1 of The Making of Thunderstorm 3 SFX here.
In this second and final article I will discuss microphone patterns, recording device pre amp settings, editing and the final mastering phase of this collection. Before I dive into all the technical mumbo jumbo I want to express that when I’m setting up and actually recording thunder and lightning I get quite excited. There must be something in the air, alien mind control beams or just the anticipation of getting the “ultimate” thunder clap or lightning strike. It’s very hard work and involves exercise, listening, tracking the storms and watching the skies. I feel like a kid in a candy shop and I feel the recording is the easy part. So, now we begin. Part 2: The Real Work Begins.
It has been a little while since the last SFX Independence post. So many new sfx libraries have come to our attention during that time that this roundup comes in two parts, designed to make it more digestible. Part 2 will follow later in the week.
Our aim is to provide readers information about the best and most innovative independent sound effects library available, so if you’d like your recently-released library to be considered for inclusion in the next roundup, all you need to do is fill in the Independent SFX Library submission form.
Tim Nielsen – Yellowstone
The Yellowstone SFX Library comprises 120 stereo tracks, recorded at 96/24 by supervising sound editor and sound designer Tim Nielsen. This 8GB pack of sounds from the Yellowstone geothermal volcano in Wyoming, USA, includes giant geysers, bubbling mud pots, fumaroles, hot springs, water streams and more.
Recorded using a SoundDevices 722, using Schoeps MS rig (CMC6 XT extended frequency bodies with an MK41/MK8 Capsule setup) and a Telinga Stereo Parabolic microphone.
Released: August 2014
Tim Nielsen on IMDB
Guest Contribution by Frank Bry
In this article I will reveal my secrets and techniques to recording decent thunder and lightning. Many, many years and sleepless nights have gone into perfecting the art of recording the thunderstorm and I will finally share. But first, I want to share a little history and tell you how I developed these secrets and techniques. It was not so easy at first and here’s the story I’m still alive to tell. Part 1: Live and Learn.
Animal Sound Design and Recording Month is coming to a close so we thought it would be neat to do a roundup of just a few of the indie SFX libraries out there that have great animal recordings.
(Disclaimer: I sourced suggestions from the Twitter community and my own experience so this list is not intended be comprehensive, simply a few strong suggestions. If you feel there is a fantastic library that we left off this list; please post it in the comments!)