Tim Prebble has announce the release of SEAL VOCALS, a new great sound effects library for HISS and a ROAR, this time featuring lovely Seals talking to a microphone. My primary goal was to isolate the seal vocals from the ambience, for use in creature vocal design, so this library was recorded using a Sennheiser MKH70 microphone due to its “excellent directivity… particularly … [Read more...]
Blastwave FX Announces the Winners of its Last Sound Design Competition
This is the video submitted by Martin Schütze, winner of the recent sound design competition created by Blastwave FX and Avid. Martin will get the full package prize, which includes a full version of Avid Media Composer, an Mbox with Pro Tools LE, Blastwave FX Sonopedia Library The Sound Effects Bible and DV Toolkit 2 for Pro Tools LE. Judge's Comments: What I enjoy so much … [Read more...]
Review: HISS and a ROAR – SWISHES
Some days ago, Tim Prebble released SWISHES, the second sound effects library on his label HISS and a ROAR. It’s a full package of all kind of elements cutting the air. The download process was the same as the previous library, which I also reviewed recently. Content [soundcloud width="100%" height="81" params="show_comments=true&auto_play=false" … [Read more...]
Charles Maynes Special: Sound for War Films [Pt. 1] – "The Alamo" and "The Great Raid"
In doing sound for the war film several different things have to be considered in building a sort of “creative architecture” for your sound design. Usually these will be driven first by the expectations of the Director / Producer and Picture Editor that you are working for. In most cases they will hope to have the sound follow in the path of previous Iconic films or videos such … [Read more...]
Exclusive Interview with Ann Scibelli, Sound Designer on "Robin Hood"
We had the opportunity to talk with the talented Ann Scibelli about her work as sound designer on Ridley Scott's Robin Hood. Thanks to Ann for taking some time out to answer a few questions. MIGUEL: How early did you start working on Robin Hood? What did you guys want to do different sonically than past medieval war films? ANN: I started working on the film in its early … [Read more...]
Charles Maynes Special: Exclusive Interview
Let's get started with the Charles Maynes Special. I interviewed him about the general aspects of his career, his tools, workflow, creativity techniques, and more. If you want to ask something to Charles, please go here. Designing Sound: Please give us a general overview of your career. How do you get started with sound? How was your first gig like? Charles Maynes: I actually … [Read more...]
Accidents
"Think outside the box. That's why sound is fun. You keep your ears open, and if you hear something accidental, you can try to work it into the film. It happens all the time." -Ben Burtt … [Read more...]