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Art and technique of sound design

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Rob Nokes Special: Recording Water Sounds for "The Guardian"

August 18, 2010 by Miguel Isaza

The SFX recording challenge on The Guardian was that the action sequences took place below and above water. My goal was to deliver a SFX library that was thick, rich and accurate. We were able to create a fantastic water sound library thanks to the work by Alex Daniels, the stunt coordinator on the film. … [Read more...]

Rob Nokes Special: Guide to Recording Dogs

August 16, 2010 by Miguel Isaza

Untrained dogs can be very hard to record. Unlike trained dogs, they don’t know commands and are usually scared or uneasy when put in a different environment. Also, their reactions are hard to predict and most likely they will not perform as you want them to when the time for recording comes. In order to minimize these problems there are some things you can try doing: First of … [Read more...]

Rob Nokes Special: Recording in Vietnam

August 12, 2010 by Miguel Isaza

"We travelled to Vietnam to record for the Korean film “Nim-eun-meon-go-sae” a.k.a. "Sunny", a movie about a band who gets caught in the troubles of the war, you can learn more about it here. Vietnam seemed like a field recordist’s dreamland: cities lost in time, lots of nature and a slow paced lifestyle that would have interesting and unique sounds. Well, we did find those … [Read more...]

Rob Nokes Special: Guide to Recording Cars

August 10, 2010 by Miguel Isaza

Back in the day when I first started recording cars, we were using small DAT machines, the Sony TCD7 and back in those days DAT machines were very expensive, so we had maybe 2 DAT machines. We had to record sounds for this movie called The Chase, and it was all a car chase movie. So Greg and I set out to figure out how we could make big hollywood sounding cars and between the 2 … [Read more...]

Rob Nokes Special: Favorite Microphones and Recorders

August 6, 2010 by Miguel Isaza

The Deva-5 is the best type of recorder to use wherever possible, the recording quality and technical specifications are very good, however, when recording something that may be dangerous or difficult to get to it’s better to use a Zoom H4 handheld recorder. I also use a Korg MR-100 recorder. The Mics I like to work with are three Neumann 190i’s and two Neumann 191 is which I … [Read more...]

Rob Nokes Special: Exclusive Interview

August 4, 2010 by Miguel Isaza

Without further delay, let's start with the Rob Nokes special. Here is an interview I had with him, talking about the general aspects of his career, his techniques and tools, his company, and more. Designing Sound: First off, tell us how you started your career in sound and how you got to where you are today? Rob Nokes: My career started in 1987 in my hometown, Winnipeg, … [Read more...]

August’s Featured Sound Designer: Rob Nokes

August 2, 2010 by Miguel Isaza

Do you were wondering if we would have a new special for August? The answer is yes! For this month we have an amazing guest: the talented Rob Nokes. He will share with us a lot of interesting things on field recording, sound editing and more. Hope you enjoy it! Bio Rob nokes was born in Winnipeg, Canada. His career began in 1987 working for the local racetrack network. He … [Read more...]

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