Working in post sound, there tends to be a lot of commonalities between projects. In general, we don’t start work until the picture has been shot and edited. When the files come in, we divide up the editing, record foley, record adr, and schedule the final mix. The post sound process for an animated film is a little different. Most notably, work begins before a single frame … [Read more...]
Know Thy Mixer: A guide to adapting your sound editing workflow
Unlike picture editors, whose every cut is projected on the big screen for everyone to see, we as sound editors work with the intangible. There is no right way to edit sound and if done properly, we can get away with a lot. Every project, scene or audio file can provide a unique set of challenges that we as editors have to contend with. “How should I remove that … [Read more...]