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Art and technique of sound design

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This Is Not A Train: An exploration of meaning, emotion and the roles of sound in film through ambiguity and reassociation

December 26, 2018 by Doug Siebum

This is a guest contribution by Carlos Manrique Clavijo. Carlos Manrique Clavijo is a Colombian/Australian sound editor/sound designer and animation producer based in South Australia. He's worked on award winning fiction, documentary and predominantly, animation from 2002. With Ana María Méndez, he is the co-founder of animation company, KaruKaru. Carlos has taught film … [Read more...]

Walter Murch and Trains: A Sound Exploration

January 28, 2016 by Beau Jimenez

Guest Post by Beau Anthony Jimenez Introduction In the film and sound world, Walter Murch is a man that needs no introduction. But for the few who need a brief idea of this Renaissance man: Walter Murch is a pioneer of the film-sound world. His way of thinking about sound for film has been revered for decades. His body of work is legendary, both as a sound editor and … [Read more...]

Time

May 4, 2013 by Shaun Farley

Guest Contribution by Randy Thom I'm on a plane from San Francisco to New York, May 3, and I see that the Designing Sound theme for May is time.  Two notions relating to time and sound design come to mind.  One is that fiddling with time in storytelling is always a playground for sound.  Jumps to the past or the future in a movie swing the door wide open to using sound in … [Read more...]

Francis Ford Coppola Talks About the Evolution of Movie Sound

November 28, 2011 by Miguel Isaza

[youtube]http://www.youtube.com/watch?v=H-fNpE9vQJw[/youtube] As early as the Apocalypse Now movie in 1979 when Francis Ford Coppola and sound designer Walter Murch pioneered a quadraphonic sound system for the film tour, Coppola has made sound and audio technology an important part of filmmaking, including building a dedicated mixing facility, American Zoetrope. In 2010, under … [Read more...]

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