"Anybody can make weird sounds easily, but it takes hard work and talent to come up with sounds that are exotic enough to put a useful twist on a scene, but organic enough to be entirely believable." -Randy Thom … [Read more...]
Ben Burtt Named Silver Award Winner for Helping to Preserve San Anselmo History in Films
Ben Burtt has received the Silver Award by the Town of San Anselmo, for his work on preservation of history in films. Ben Burtt, who helped preserve San Anselmo history in films, has been named a Silver Award winner. Burtt documented the local floods of 1982 and 2005 in “The Great Flood of 1982” and “12/31.” He says, he “collected footage from 15 or 16 different people and … [Read more...]
Charles Maynes Special: Sound for War Films [Pt. 2] – “Flags of Our Fathers” and “Letters from Iwo Jima”
In the films “Flags of Our Fathers” and “Letters from Iwo Jima” the challanges were different but not by a huge margin- Alan Murray, longtime Supervising Sound Editor for Clint Eastwood, was very committed to making an accurate and dynamic track for the Battle of Iwo Jima, and had a special investment in the effort since his father was a USMC tank crew member in the battle. … [Read more...]
Charles Maynes Special: Sound for War Films [Pt. 1] – "The Alamo" and "The Great Raid"
In doing sound for the war film several different things have to be considered in building a sort of “creative architecture” for your sound design. Usually these will be driven first by the expectations of the Director / Producer and Picture Editor that you are working for. In most cases they will hope to have the sound follow in the path of previous Iconic films or videos such … [Read more...]
Mixing "Robin Hood"
Mix has published an article about the sound mixing of Ridley Scott's Robin Hood. Check: “It’s going to need a lot of work,” acknowledges dialog/music re-recording mixer Paul Massey, as he turns from the screen in the Cary Grant Theater on Sony Pictures’ Culver City lot to face other members of the sound and picture crew. Massey has just rolled a faders-up mix of the … [Read more...]
Psychoacoustics of Non-linear Horror Sound and Music
The Indepentent has published an interesting article talking about the psychoacoustics of non-linear horror sounds and music creations. Let's read: It is probably the most scary scene in cinematic history. The shower curtain is drawn back and actress Janet Leigh lets out a spine-chilling scream that warps into a frenzied cacophony of staccato music as she confronts an unseen, … [Read more...]
"A NIGHTMARE ON ELM STREET" – Exclusive Interview with Andrew DeCristofaro, Michael Payne, and David Farmer
Thanks go out to the sound editorial crew for A Nightmare on Elm Street for taking time out to answer few questions about their work on the film! AC = Sound Supervisor Andrew DeCristofaro MP = Supervising Sound Effects Editor Michael Payne DF = Sound Designer David Farmer DS: Director Samuel Bayer stated in interviews that he wanted to keep the dreams in "NOES" rooted in … [Read more...]