Just noticed today that there's a free panel at USC this Saturday, starting at 2PM. Anna Behlmer, Lora Hirschberg and Gwen Whittle will be part of the presenting panel for the, "Cinematic Arts Panel: Take My Job Please! Women in Post Production Sound" A panel of three of the film industry's top post sound professionals want to know, "Where are the women to take their places?" … [Read more...]
The Sound of “Super 8”
New article at M.P.E.G featuring the sound crew of "Super 8", including sound designer/co-supervising sound editor Ben Burtt, co-supervising sound editor Matthew Wood and Re-recording Mixers Anna Behlmer and Andy Nelson. For the pivotal train crash during Reel 2, Burtt faced a major challenge – how to sustain the tension without overwhelming the soundtrack. “My thought process … [Read more...]
The Approach of a Re-Recording Mixing Team
The May-June Issue of MPEG Magazine contains an interesting article about the different approaches of four re-recording mixing teams from Los Angeles and New York. The re-recording mixing team is an odd phenomenon, common in Los Angeles, rare in New York and almost completely absent in Northern California. Local post-production culture, personal history and the size of the … [Read more...]
Exclusive Interview with Anna Behlmer, Re-recording Mixer on “Cloverfield”
"Cloverfield" terrorizes theaters January 18th. Creating the sounds of rampage and mayhem are co-supervising sound editors Douglas Murray and Will Files. Both Skywalker Sound mainstays, Douglas "Owned the Night" this past fall, while Files designed sounds for a rat chef, a bee movie, and santa's little helper. "Cloverfield" mixed on the Howard Hawks Stage at Fox with Andy … [Read more...]