Despite all of this, I’m still relatively new at Pure Data and the Max language. To those who chime in with corrections or clarifications in the comments, you are most appreciated! If you’re new to PD, make sure you check the comments section for clarifying info provided by generous souls. In the last article we created a background calculation process to make sure that our … [Read more...]
Pure Data Wavetable Synth – Part 2
Despite all of this, I'm still relatively new at Pure Data and the Max language. To those who chime in with corrections or clarifications in the comments, you are most appreciated! If you're new to PD, make sure you check the comments section for clarifying info provided by generous souls. In the first article of this synthesizer construction series, we built a patch that … [Read more...]
Pure Data Wavetable Synth – Part 1
Despite all of this, I'm still relatively new at Pure Data and the Max language. To those who chime in with corrections or clarifications in the comments, you are most appreciated! If you're new to PD, make sure you check the comments section for clarifying info provided by generous souls. One of the reasons we're covering DSP environments this month is to get more people … [Read more...]
DSP Anyone?
April is here, and with it comes our next featured topic. This month, we're going to be delving into the world of DSP environments...Max/MSP, Pure Data, Supercollider, Csound, etc. These tool-sets all have a bit of a learning curve, but they present an opportunity to do something truly different from the typical processors we use every day. What's spectacular about these is … [Read more...]
Music, Sound and the Worlds in Between – A Skip Lievsay Interview (Part 2)
Skip Lievsay needs almost no introduction: He is one of the most distinguished and prolific sound editors in the movie business. His many collaborations with The Coen Brothers, Martin Scorsese, Spike Lee and Jonathan Demme, to name just a few, are often considered classics. Lievsay has been nominated for four Academy Awards, two for No Country for Old Men and two for True Grit. … [Read more...]
Please Thank our March Contributors
March was kind of a banner month for us wasn't it?! There was a lot of enthusiasm about exploring the intersection of sound design and music. So please check out all of the excellent contributions from the community, and leave a comment to thank those people who donated their time to the subject. Karen Collins - who kicked the month off by taking us straight into the gray … [Read more...]
Scanner on Sound and Music
Scanner, aka Robin Rimbaud, is a British artist, composer and sound designer whose works include film scores, installation sound, product sound design and of course, electronic music. Just last month he presented the Keynote address at the 49th AES Audio for Games Conference. As thoughtful as he is thought-provoking, I sat down with him in his East London studio to chat about … [Read more...]