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Your Questions to Erik Aadahl

March 5, 2010 by Miguel Isaza

Now, you have the opportunity to do your own questions Erik Aadahl. Please read the exclusive interview first. Maybe you can find your answer there.


There are several ways to make your questions:

  • Leave a comment on this post
  • Use the contact form
  • Write to designingsound [at] gmail [dot] com

The deadline for questions is March 25th and the answers will be published on the final post of the special. Erik will choose and answer any questions that he want. Note that all questions will be considered, but not all will have to be answered.

Filed Under: featured Tagged With: advice, erik aadahl, erik aadahl special, questions, readers, sound design

Comments

  1. JJ says

    March 5, 2010 at 1:28 pm

    In following this site and the works of the sound designers featured. One thing has come to my attention. The lack of women, I have only ever seen Anne Scibelli mentioned. As a professional in the industry for many years, (with some great titles under your belt!!!) what is your take on the lack of women working within the field?

  2. Jim Stout says

    March 6, 2010 at 11:08 am

    Ann is a friend of my and she is amazing! She is finishing up Robin Hood right now then you will see more of her for sure very soon!
    :-)

  3. JED says

    March 6, 2010 at 2:42 pm

    I’m still wondering what was this special trick with the rack of plugins controlled by a Theremin you discovered on the last Transformer… Hope you’ll let people know what was the secret one day ;-)

  4. Pedro Bros says

    March 13, 2010 at 4:20 am

    First of all, Thanks for the interview, really opened my eyes.

    Now, I’m new on this.
    I want to know what’s the best order to work on sounds on a motion picture?

    First Voice then Ambience/Room tones or should i start with the first layer sounds?

    Any book you recommend for beginners?

    Thanks

  5. Chris Latham says

    March 14, 2010 at 7:59 pm

    I thought I had the coolest sound design trick on the block with a few of those hematite magnetic balls to record. Such interesting sounds.

    http://soundworkscollection.com/transformers2

    Then I watch the SoundWorks vid on Transformers 2 only to find that you have already taken this idea to the next level with the Reedman robot. Great work. How many of those magnets did you work with? And any tips on recording them? I’ve been trying some contact mics.

    How about the processing afterward? The sounds seemed to cascade together as the robot formed. Mindblowing secret techniques are welcome :)

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