The London Film School is offering another one day workshop focusing on the role of sound in story-telling. The workshop will take place on Saturday, November 24th. They’re also offering a 20% discount to Designing Sound readers.
What is it that makes the dream sequences in Hitchcock’s SPELLBOUND, Bergman’s WILD STRAWBERRIES and Coppola’s THE CONVERSATION so disturbing? What makes the ‘trip’ sequences in TRAINSPOTTING and EASY RIDER so real, the flashbacks in ONCE UPON A TIME IN THE WEST and BLADE RUNNER so palpable, and the levels of time and memory in INCEPTION and ETERNAL SUNSHINE OF THE SPOTLESS MIND so distinct and immediately recognisable?
In each case, the answer lies in the sound design.
In this new 1-day workshop, Dr. Gilbert Gabriel focuses on how characters’ subjective thoughts and feelings are signified in their experience of altered states such as those in dreams, intoxication, memory and flashbacks, terror and insanity. The workshop explores how pitch, rhythm, timbre, reverberation and fluctuation of sounds as well as the cultural import of music or song can significantly sway the emotions and audience interpretation of a film scene. It offers both a theoretical and practical way for directors, editors, composers, sound designers and screen designers to understand the relationships between speech, music and sound on film soundtracks.
For more details, and to register, follow this link. Our discount code is: Gilbert20%Read More