In a recent entry in their interview series, SoundWorks Collection speaks to Mark Ulano, production sound mixer for Quentin Tarantino’s upcoming film, The Hateful Eight. Take a listen and hear stories that could only originate from a Tarantino shoot, told by one of the best productiou sound mixers in the business.
Oh The Variables
When you consider the variables in play when dealing with audio, it amazes me that we’re able to create anything that sounds even half-decent to someone else.
- How the authorship software processes audio
- Digital-to-analog conversion quality
- Unbalanced monitors / headphones
- The acoustic space
- Monitor placement
- Mix position
- Your ears
- Your brain
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I was born in England in 1988. Some of my earliest memories involve old BBC and Mac computers. I grew up listening to CDs, MiniDisks, playing “Duck Hunt” on my sister’s NES. The dial-up modem sounds are imprinted on my memory. I recall my father ordering books from Amazon.com back when that’s all Amazon sold. In my teen years I assembled my own computer to save money and grew to appreciate the inner workings of a computer. What I’m trying to say is, I’m an early product of the digital age, it’s all I’ve known.
Want to see something that’ll mess with your head?
Now, you may not have noticed anything all that strange watching the video, but mute the sound and watch it again. After that, close your eyes and listen to just the audio. Notice anything strange now? You’ve just witnessed one of the more interesting perceptual illusions, the McGurk effect.
After the rousing success of our meetup at last year’s show in New York (seriously, it was great!), we’ve decided to do it again this year!
So, come join us for food and drinks at Tom’s Urban on Thursday, October 9th, at 8:30 PM. Both Shaun and I will be there and we look forward to meeting all of you!
More info and how to RSVP after the jump.