Diego Stocco returns with the third in his video series of advanced & experimental sound design techniques Feedforward Sounds. In this tutorial entitled “Creative Miking Techniques” Stocco goes into great detail to explain some of his techniques developed for sound design through creative recording.
“From my point of view, even in these days where plugins, controllers and apps have become important tools for music production and sound design, being able to effectively and creatively use microphones remains essential, because creating original sounds from all kind of acoustic sources remains essential.”
In the latest offering from SoundWorks Collection, the spotlight is on Leslie Ann Jones, Director of Music and Scoring at Skywalker Sound. This 10-minute profile explores Jones’ musical roots and her 30-year career as a recording and mixing engineer.
Part 2 of our September roundup comes a little late (Part 1 is here in case you missed it), but there’s plenty of interesting and unusual independent sound libraries to be found here. And don’t forget, if you’ve got a recently-released sample library that you’d like to be considered for inclusion, use the Independent SFX submission form to tell us about it!
Gateway Part 1 – The Library by Empty Sea
Empty Sea present their new library of doors, doors and more doors! From tiny compartments to creaky gates. In all, 675 files and 1200 sounds all recorded at 96 KHz / 24bit.
Moon Echo Audio’s latest library taps into the dreamy, dark and unnerving. Presenting 12 moody soundscapes designed to “embrace the decay of human society”. Each of the soundscapes – with varying durations of between 1-2 minutes – comes as a 48KHz / 24bit file and has been created using a variety of techniques such as granular synthesis, pitch shifting and complex delays.
A collection of glass, ceramic objects and bell-like sounds recorded 86 96KHz / 24bit.
Hzandbits have created 14 bell-like sounds, each multisampled and tuned to its nearest note, using source material such as bowls, glasses and vases. This library is ideally suited to taking these sounds further, using whichever combination of today’s sampling tools take your fancy.
What you get is 114 high quality sound effects divided into 11 categories, including; ambience, Foley, sci-fi, suspense FX and whooshes. All sounds were recorded at 48KHz / 24bit and come with a PDF for database management.
Released: September 2014
Price: $150.00 digital download or $170.00 on a USB stick
Here it comes! Universe is a bundle featuring all SoundMorph products since the beginning of time. Developed by some of the leading Sound Designers and Musicians working within the industry, the Universe bundle represents a significant saving when set against individual purchases.
10,000+ sfx samples and three flagship software apps, Universe comes with an extra option that will entitle you to a year of free upgrades.
Released: September 2014
Price: $699.00 or $899.00 for the +365 version with 12 months of upgrades free.
Detunized introduce a library pack of showcasing the sound of wind farms. Available as either a standard BWAV edition of 124 48KHz / 24bit recorded takes, or Ableton Live Pack (versions 8 or 9 only), Wind Turbines includes a whole host of ambiences, propeller blades, transformer stations and other mechanical noises.
An impressive ensemble of production tools from Delectable Records. Featuring House beats mixed with groovy percussions including Congas, Timbales, Bongos and much more! Perfectly suitable for House, Percussion, Deep House, Funky House, Dance, Tribal House, and Soulful productions, there are 10 Constructions Kits designed and made exclusively for Delectable Records by Gennaro Rino Becchimanzi.
Available in Zip, WAV & Apple Loops format, Organic Percussion contains over 230 Percussion sounds that will enrich your rhythmic tracks instantly.
It has been a little while since the last SFX Independence post. So many new sfx libraries have come to our attention during that time that this roundup comes in two parts, designed to make it more digestible. Part 2 will follow later in the week.
Our aim is to provide readers information about the best and most innovative independent sound effects library available, so if you’d like your recently-released library to be considered for inclusion in the next roundup, all you need to do is fill in the Independent SFX Library submission form.
Tim Nielsen – Yellowstone
The Yellowstone SFX Library comprises 120 stereo tracks, recorded at 96/24 by supervising sound editor and sound designer Tim Nielsen. This 8GB pack of sounds from the Yellowstone geothermal volcano in Wyoming, USA, includes giant geysers, bubbling mud pots, fumaroles, hot springs, water streams and more.
Recorded using a SoundDevices 722, using Schoeps MS rig (CMC6 XT extended frequency bodies with an MK41/MK8 Capsule setup) and a Telinga Stereo Parabolic microphone.
A few months ago I came across a Twitter post made by Stephan Schütze (a recent Designing Sound contributor) that continues to resonate with me (no pun intended) and I wanted to share it with anyone in the sound design community that has yet to hear these sounds.
As a side note, Stephan’s tweet was unrelated to his Designing Sound contribution (which can be found here) that he wrote for our monthly theme dedicated to Vehicles.
The original Twitter post was for an article entitled:
If you made it to the Designing Sound mixer we held during the AES conference in New York last year, you may have met Neil Benezra. Neil is a Brooklyn based sound designer and mixer, and he’s just shown up on the cover of the latest issue of CineMontage (the Motion Picture Editor’s Guild Journal). We’re always happy to see members of our community being recognized. Why not go give it a read? ;)
GameSoundCon, gearing up for their 10th conference, which will take place October 7-8 at the Millennium Biltmore Hotel in Los Angeles, have made two recent news announcements.
Game Audio Workers Survey
First up, the results of the GamesSoundCon and Games Audio Network and Guild (GANG) joint survey that looked at working in the game audio industry are out. Whilst the results give cause for optimism with regards to general pay for composers, sound designers and audio developers, less encouraging news emerged, with the fact that women remain under-represented in the industry accounting for around 5% of survey respondents. A PDF of the full survey results, where respondents were also invited to comment on things such as work environment and contract terms, are available form the GamesSoundCon website.
$100 off entry to GameSoundCon14 and a chance to win EastWest CCC2
GamesSoundCon and EastWest have teamed up for a sound design contest that offers multiple winners a $100 entry discount to October’s GamesSoundCon AND automatic entry into a draw to win a copy of EastWest Complete Composers Collection 2. More of a social media treasure hunt, for a chance to win contestants are asked to follow the contest link, provide an email address, and then use the power of social media to earn points that unlock the discount code and give entry into the draw. All the tasks are pretty straightforward, so don’t let that put you off!
Blastwave FX are at it again with another contest which they announced last week. This one is about making a zombie soundscape:
Create a sound design clip of a soundscape or scene of something you think you would hear during the zombie apocalypse.
The sound design clip must be no longer than 60 seconds. No exceptions.
Upload the sound design clip to the Blastwave FX Facebook page. Be sure to tag yourself and Blastwave FX in the post. The clip must be posted on the Blastwave FX Facebook page. Emailed or messaged submissions will be disqualified.
The sound design clip may contain original sound effects, but must include at least one sound effect from the Zombie Apocalypse Sound Effects Library from Blastwave FX. Free samples from this library are available at the bottom of this page. If you own the Zombie Apocalypse Sound Effects Library, you may use any sound effect from the collection that you wish. Note, the Zombie Apocalypse Sound Effects Library is on sale throughout the contest for only $66.
The contest submissions will be judged by Matt Busch, Celldweller, Blue Stahli and Ric Viers.
Check out the contest page for the full rules and description here. Hurry though, the deadline is October 24!