Variety has published a very cool article on how music shapes sound effects. There's a long history in film of finished musical scores being rushed to the final mixing stage and then being shoehorned in amid the dialog and effects in a sometimes contentious battle over sonic real estate. But in recent years, more directors have turned to composers earlier in the filmmaking … [Read more...]
The Horse Sounds of "Secretariat"
Supervising sound editors Kevin O'Connell and Kami Asgar talked to Variety about the sounds for Disney's Secretariat. Disney's "Secretariat," set for Oct. 8 release, makes striking use of sound to bring the audience into the experience of horse racing. In the racing scenes -- which deftly balance music and sound effects -- the sound helps viewers who've never sat in a saddle … [Read more...]
"The Hurt Locker" and "Avatar", Two Different Paths on Sound Editing
Peter Canaricas has published a nice article on Variety featuring "The Hurt Locker" and "Avatar" sound, two films nominated to Academy Award for Best Sound Editing, but also two different worlds and different perspectives and ways to treat the sound. Check some excerpts: "We absolutely invented sounds," says Boyes, whose team created aural experiences that don't exist on Earth, … [Read more...]
Oscars Voters and Sound Pros agree: Louder isn't always better
Nice read on Variety about the importance given today to the soundtrack's volume and density when voting for the Academy Awards, with some thoughts of sound guys such as Tom Myers, Cameron Frankley and Michael Keller. The conclusion: Times has changed and louder isn't always better. Once it was a given that a soundtrack's volume and density wowed Academy voters. But no … [Read more...]