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U.S.O Project on Sound Exploration, Unseen Noises Library

April 19, 2012 by Miguel Isaza

U.S.O (Unidentified Sound Object) Project is defined as a continuing evolving organism of sound. Created by Matteo Milani and Federico Placidi, two sound artists working on several fields and exploring sound in many inspiring ways. Perhaps you already know about their fantastic blog, where they share lots of great things, making the site a must for anyone interested on sound … [Read more...]

An Interview with Gary Rydstrom

June 24, 2011 by Miguel Isaza

Matteo Milani of USO Project has made another of his great interviews, this time with Gary Rydstrom. Gary Rydstrom was born in 1959 in Chicago, IL. He graduated from the University of Southern California - School of Cinematic Arts in 1981. He began his career at Sprocket Systems, formerly Skywalker Sound, in 1983. Offered the job by a college professor, Gary received the … [Read more...]

Walter Murch: “The Perfect Sound Film has Zero Tracks”

March 16, 2011 by Miguel Isaza

Wise words of Walter Murch: I think it's generally misleading  to say, "Well, that sequence had eighty tracks, it must be great." Ideally, for me, the perfect sound film has zero tracks. You try to get the audience to a point, somehow, where they can imagine the sound. They hear the sound in their minds, and it really isn't on the track at all. That's the ideal sound, the one … [Read more...]

Creating Film Sound: An Interview with Richard Beggs

February 25, 2011 by Miguel Isaza

Matteo Milani of U.S.O Project has published the first part of a fantastic interview with sound designer Richard Beggs. They talk about several things, including previous projects, specific sounds/scenes, and also technical/philosophical stuff. Richard Beggs, sound designer and re-recording mixer, has worked in his career with directors like Francis Coppola, Ivan Reitman, Mel … [Read more...]

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