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Paul Ottosson Talks About Working on "The Hurt Locker"

March 5, 2010 by Miguel Isaza

More "The Hurt Locker", this time a really cool video from "Making Of" with Paul Ottosson talking about the sound editing and mixing of this great film. … [Read more...]

Paul Ottosson on "The Hurt Locker"; An Interview with Oscar Nominee for Sound Editing and Mixing

March 2, 2010 by Miguel Isaza

Mix Magazine published a new interesting interview with sound designer Paul N.J Ottosson, Academy Award Nominee for Sound Editing and Sound Mixing for his amazing work on "The Hurt Locker". Did you do much original effects recording? A fair amount. I also had a lot of my own library material that I’d recorded through the years. Ray Beckett also recorded a lot out in the … [Read more...]

How to Judge the Best Sound Editing Oscar

February 26, 2010 by Miguel Isaza

As the Academy Awards approach, Skip Lievsay expalins at  Slate V what goes into great sound editing. Via: FilmSound Daily … [Read more...]

Thoughts of the Oscars Sound Nominees

February 22, 2010 by Miguel Isaza

I've found two interesting articles with thoughts and general info from the sound nominees to the Oscars, talking about his respetive works on films such as "Avatar", "The Hurt Locker", "Star Trek", "Up" and "Inglourious Basterds". The first one is from MPEG, with comments of some of the sound editors with best sound nomination: Though the movies they worked on were all … [Read more...]

"The Hurt Locker" and "Avatar", Two Different Paths on Sound Editing

February 10, 2010 by Miguel Isaza

Peter Canaricas has published a nice article on Variety featuring "The Hurt Locker" and "Avatar" sound, two films nominated to Academy Award for Best Sound Editing, but also two different worlds and different perspectives and ways to treat the sound. Check some excerpts: "We absolutely invented sounds," says Boyes, whose team created aural experiences that don't exist on Earth, … [Read more...]

Oscars Voters and Sound Pros agree: Louder isn't always better

January 15, 2010 by Miguel Isaza

Nice read on Variety about the importance given today to the soundtrack's volume and density when voting for the Academy Awards, with some thoughts of sound guys such as Tom Myers, Cameron Frankley and Michael Keller. The conclusion: Times has changed and louder isn't always better. Once it was a given that a soundtrack's volume and density wowed Academy voters. But no … [Read more...]

"Sound Designer" Brice Carrington Gets 4 Years for Fraud

January 11, 2010 by Miguel Isaza

A Pleasanton man who falsely claimed he was a three-time Oscar-winning sound designer was sentenced Friday to four years in federal prison for defrauding investors of nearly $4 million in an investment scheme. Scene 1 - Lying It was Brice Carrington who gave King Kong his roar, the T-Rex and other dinosaurs their menacing sound in the movie Jurassic Park, put the hiss in Snakes … [Read more...]

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