Mix Magazine has published a detailed article on the sound of Jon Favreau's recent film, 'Cowboys & Aliens'. It features interviews with Favreau's long time re-recording mixer/sound designer Chris Boyes, supervising sound editor Frank Eulner, sound designer David Farmer, composer Harry Gregson-Williams, music editor Meri Gavin and score engineer/mixer Malcolm Luker. I was … [Read more...]
Advantages of Nuendo for Sound Post-Production
Mix Online has published an article with sound editor Kelly Pieklo, who shares his thoughts about using Nuendo as his main workstation for sound post-production: Minneapolis-based post-production company Splice Here® (www.splice.tv) and Sound Editor Kelly Pieklo are enjoying some recent successes, thanks in large part to Steinberg’s Nuendo platform. Director Eric Howell’s … [Read more...]
Secrets of Audio Post Survival
Interesting article on Mix Online about different surviving techniques and methods of audio post professionals: There you are: relaxing in that nice, ergonomically correct chair that’s perfectly situated front and center of your console, completely protected from the harsh conditions of the world outside. When you stop and think about technical field crews—those poor camera … [Read more...]
More About the Sound of “TRON: Legacy”: Score and SFX Mix
Mix Online has published an article about the relationship between music and effects in "TRON: Legacy" and how was the approach to blend them together in the film. The hit film Tron: Legacy features a unique blend of electronic and symphonic score elements from the French techno duo Daft Punk (Guy-Manuel de Homem-Christo and Thomas Bangalter) and futuristic sound effects. We … [Read more...]
Paul Ottosson on "The Hurt Locker"; An Interview with Oscar Nominee for Sound Editing and Mixing
Mix Magazine published a new interesting interview with sound designer Paul N.J Ottosson, Academy Award Nominee for Sound Editing and Sound Mixing for his amazing work on "The Hurt Locker". Did you do much original effects recording? A fair amount. I also had a lot of my own library material that I’d recorded through the years. Ray Beckett also recorded a lot out in the … [Read more...]
Predubs in the world of effects re-recording
Always mixing, predubs in the world of effects-heavy film re-recording. Very interesnting article recently posted by Mix Online: Given the complexity of high-action movies, and the fact that technology-savvy directors retain their creative options right up to the final print-mastering stage, re-recording mixers face some difficult choices. “As soon as I had read the script for … [Read more...]
December: Mix Magazine
December's issue of Mix Magazine has a great piece on "The Golden Compass" sound supervisor Glenn Freemantle. Its Available HERE. … [Read more...]