"Walk Hard" December 21st. Sound editorial was performed by sound supervisor Joel Shryack with sound designer Robert Grieve on drums, er sound design. Both worked on director Jake Kasdan's last, "The TV Set" and have another Apatow property coming out in February with "Drillbit Taylor". Mixing took place at Sony on the Burt Landcaster Theater, with Tateum Kohut,Gregg Landaker, … [Read more...]
Exclusive Interview with Skip Lievsay, Supervising Sound Editor/Re-recording Mixer on “I am Legend”
"I Am Legend" spreads to theaters today. Sound editorial for Will Smith's search for survivors in NYC was administered by Skip Lievsay. Hot off the great "No Country for Old Men", (and considering his track record) we can expect Skip to start soon on the Coen Bro's next, "Burn After Reading". On "Legend," In addition to his editorial work, he also mixed the film's dialogue. … [Read more...]
December: Mix Magazine
December's issue of Mix Magazine has a great piece on "The Golden Compass" sound supervisor Glenn Freemantle. Its Available HERE. … [Read more...]
“No Country for Old Men” – Exclusive Interview with Sound Designer/Re-recording Mixer Craig Berkey
“No Country for Old Men” found its way into theaters November 9th. Sound supervisor and re-recording mixer Skip Lievsay handled editorial, dialog, and music mixing on the Coen Bros film. A Coen mainstay, Lievsay was one of the first sound craftsmen I ever saw with an opening title credit on a movie as a supervisor. He is currently helping Will Smith figure out how to cope with … [Read more...]
“Here comes the Night” Video Interview
Mix Magazine has posted another little video interview with Re-Recording Mixer Gary Rizzo about his work on "Here Comes the Night", HERE. … [Read more...]
Exclusive Interview with William Sarokin, Production Sound Mixer on “American Gangster”
“American Gangster” crossed 110th street into a theater near you November 2nd. All sound editorial trafficking was handled by co-supervising sound editors Per Hallberg and Karen M. Baker. Coming off a strong summer with "The Bourne Ultimatum", "Gangster" marks over the 40th collaboration between the two. Mixing posted up at Todd-AO West in Santa Monica with re-recording … [Read more...]
Exclusive Interview with Tim Prebble, Supervising Sound Editor of “30 Days Of Night
“30 Days of Night” descended into theaters October 19th. Helping to make vampires sound scary again is Sound Supervisor/Designer Tim Prebble. Prebble, a native Kiwi, supervised films ranging from the film adaptation of "The Bridge to Terabitha" to the livestock snuff film "Black Sheep". Mixing took place at Peter Jackson's Park Road Post, with two craftsmen from LOTR mixing … [Read more...]