[Written by Peter Albrechtsen for Designing Sound] Let’s start with talking not about choice of sounds but choice of words. In the US, background ambiences are called backgrounds – or just BG’s. In Denmark, though, we call them atmospheres. For me, that’s actually a better word to describe this part of the soundtrack, as background sounds can add so much texture, feeling and … [Read more...]
An Interview with Craig Berkey
Vancouver Sun recentlty published an article featuring Craig Berkey, sound designer and re-recording mixer on "True Grit". When Craig Berkey quit his job at a BC Tel subsidiary to study sound recording, the company president called him in. "'He said 'I've seen people do this before,' " recalls Berkey, 48. " 'It's okay, I'll leave a slot [open] for you, because usually people … [Read more...]
Creating Film Sound: An Interview with Richard Beggs
Matteo Milani of U.S.O Project has published the first part of a fantastic interview with sound designer Richard Beggs. They talk about several things, including previous projects, specific sounds/scenes, and also technical/philosophical stuff. Richard Beggs, sound designer and re-recording mixer, has worked in his career with directors like Francis Coppola, Ivan Reitman, Mel … [Read more...]
“Secrets for Great Film Sound” Webinar Report #5 – Sound Effects Recording, SFX Libraries, Foley, Plug-Ins
[During this month, I'll be doing weekly reports about “Secrets for Great Film Sound“, a new webinar series hosted by David Sonnenschein and Ric Viers.] Last week's webinar was fantastic. Lots of theory and techniques from Ric Viers about the roles in post-production audio and also talked a lot about foley, including history, tips and techniques. Then he shared a lot of stuff … [Read more...]
Vanity Fair: Mark Stoeckinger Talks Unstoppable’s Sound Editing
Vanity Fair has published an article featuring Mark Stoeckinger, who gives an overview of the sound editing process, step-by-step, by showcasing several clips (Full mix, dialogue only, and sfx only). If you’ve ever lost money in an Oscar pool, at some point you’ve had to ask, “What exactly is the difference between sound editing and sound mixing?” Although that probably means … [Read more...]
The New York Times: The Sound of ‘Inception’
The New York Times has published an interview with Supervising Sound Editor/Sound Designer Richard King and Re-Recording Mixer Gary Ryzzo and Sound Mixer Ed Novick, talking about their work on "Inception". As the Bagger discovered last season, it’s almost impossible for even the Academy’s experts to predict who will win the Oscars for sound design and mixing. But over the … [Read more...]
“Secrets for Great Film Sound” Webinar Report #4 – Dialogue, ADR & Character Development
[During this month, I'll be doing weekly reports about “Secret for Great Film Sound“, a new webinar series hosted by David Sonnenschein and Ric Viers.] Last week's webinar was fantastic. David and Ric talked about dialogue, sharing all kind of techniques, tips and tricks on recording, mixing and editing dialogue. Ric shared a lot of useful tips and things to keep in mind when … [Read more...]