It’s time for another “Behind the Art” interview, the section of Designing Sound created with the goal of studying the artistic and creative aspects of sound design. We’ve asked one of the most prolific sound designers right now, Craig Berkey, to share some thoughts with us. Just recently, Berkey has been the sound designer for both the latest mutant magnum opus, X-Men: First … [Read more...]
The Sound of “The Tree of Life”
New article of Mix Magazine featuring sound designers Craig Berkey and Erik Aadahl talking about his work on "The Tree of Life". Pity the poor journalist who has to write an article about a Terrence Malick film before it’s released. The notoriously publicity-shy director isn’t talking, the official synopsis is tantalizing but sketchy, the actors are purposefully vague in … [Read more...]
An Interview with Craig Berkey
Vancouver Sun recentlty published an article featuring Craig Berkey, sound designer and re-recording mixer on "True Grit". When Craig Berkey quit his job at a BC Tel subsidiary to study sound recording, the company president called him in. "'He said 'I've seen people do this before,' " recalls Berkey, 48. " 'It's okay, I'll leave a slot [open] for you, because usually people … [Read more...]
MIX Magazine – Sound for Picture: “True Grit”, “The King’s Speech” and “127 Hours”
MIX Magazine recently published several articles on sound for picture. Let's read: SFP: "True Grit" You never know what fascinating world directors Joel and Ethan Coen are going to visit. Their 2009 entry was the Oscar-nominated A Serious Manabout an introspective Jewish fellow in suburban Minneapolis in the late ’60s. The year before that brought us the wacky comic caper Burn … [Read more...]
“No Country for Old Men” – Exclusive Interview with Sound Designer/Re-recording Mixer Craig Berkey
“No Country for Old Men” found its way into theaters November 9th. Sound supervisor and re-recording mixer Skip Lievsay handled editorial, dialog, and music mixing on the Coen Bros film. A Coen mainstay, Lievsay was one of the first sound craftsmen I ever saw with an opening title credit on a movie as a supervisor. He is currently helping Will Smith figure out how to cope with … [Read more...]