Paul Thomas Anderson's "There Will Blood" gushed into limited release this December. Supervisor Matthew Wood and Sound Designer Chris Scarabosio manned editorial. Scarabosio lent his sound expertise in 2007 on "The Simpsons Movie." Wood supervised the "Star Wars" prequels. Mixing took place at Skywalker Sound on the Akira Kurosawa Stage. Tom Johnson handled dialog while Michael … [Read more...]
“Walk Hard” – Exclusive Interview with Re-recording Music Mixer Bill Benton
"Walk Hard" December 21st. Sound editorial was performed by sound supervisor Joel Shryack with sound designer Robert Grieve on drums, er sound design. Both worked on director Jake Kasdan's last, "The TV Set" and have another Apatow property coming out in February with "Drillbit Taylor". Mixing took place at Sony on the Burt Landcaster Theater, with Tateum Kohut,Gregg Landaker, … [Read more...]
Exclusive Interview with Skip Lievsay, Supervising Sound Editor/Re-recording Mixer on “I am Legend”
"I Am Legend" spreads to theaters today. Sound editorial for Will Smith's search for survivors in NYC was administered by Skip Lievsay. Hot off the great "No Country for Old Men", (and considering his track record) we can expect Skip to start soon on the Coen Bro's next, "Burn After Reading". On "Legend," In addition to his editorial work, he also mixed the film's dialogue. … [Read more...]
December: Mix Magazine
December's issue of Mix Magazine has a great piece on "The Golden Compass" sound supervisor Glenn Freemantle. Its Available HERE. … [Read more...]
“No Country for Old Men” – Exclusive Interview with Sound Designer/Re-recording Mixer Craig Berkey
“No Country for Old Men” found its way into theaters November 9th. Sound supervisor and re-recording mixer Skip Lievsay handled editorial, dialog, and music mixing on the Coen Bros film. A Coen mainstay, Lievsay was one of the first sound craftsmen I ever saw with an opening title credit on a movie as a supervisor. He is currently helping Will Smith figure out how to cope with … [Read more...]
“Here comes the Night” Video Interview
Mix Magazine has posted another little video interview with Re-Recording Mixer Gary Rizzo about his work on "Here Comes the Night", HERE. … [Read more...]
Exclusive Interview with William Sarokin, Production Sound Mixer on “American Gangster”
“American Gangster” crossed 110th street into a theater near you November 2nd. All sound editorial trafficking was handled by co-supervising sound editors Per Hallberg and Karen M. Baker. Coming off a strong summer with "The Bourne Ultimatum", "Gangster" marks over the 40th collaboration between the two. Mixing posted up at Todd-AO West in Santa Monica with re-recording … [Read more...]






