It’s still Paul Davies’ month here at Designing Sound and now is the time to dig into one of Paul’s most celebrated works: Hunger. This 2008 film tells the story of the fierce battle between the Irish Republican Army and the British state, which in 1981 led to a hunger strike in which 10 IRA prisoners died. A haunting, intense drama that has received worldwide acclaim – it … [Read more...]
Creating An Immersive Experience
The August issue of 'Post Magazine' has an article about mixing to create an immersive experience - both in 7.1 and 5.1. It features interviews with Craig Henighan for 'Real Steel' (he also talks about crowd and robot design), Mike Minkler for 'Fright Night' (the remake) and Steve Pederson for 'Final Destination 5' (mixed in 5.1 and his thoughts on not using 7.1 and how it … [Read more...]
Paul Davies Special: The Lynne Ramsay Collaboration – Exclusive Interview
It’s time for the next part of this month’s Paul Davies special. One of Paul’s most prolific collaborations is his work with Scottish director Lynne Ramsay, best known for her feature films Ratcatcher, Morvern Callar and We Need to Talk about Kevin, which have all been highly acclaimed. We Need to Talk about Kevin premiered at this year’s Cannes Festival and is released in the … [Read more...]
Paul Davies Special: Exclusive Interview
We’re starting off September’s special with an exclusive interview with our guest Paul Davies, discussing inspirations, creative methods, techniques, and how an inappropriate sound can sometimes come in handy. Designing Sound: How did you get started in sound design? What’s been the evolution of your career? Paul Davies: My early interest was in electronic and experimental … [Read more...]
Interview with Matthew Wood
Home Theater Forum has interviewed Matthew Wood about his work on the Blu-ray edition of Star Wars. We met with Matthew Wood from Skywalker Sound to find out more about the sound mix and what was done to ready it for Blu-ray. He started working on the Blu-ray audio back in 2007. Here are excerpts from that presentation. It was very obvious that he has a lot of passion for … [Read more...]
Using Logic for Post-Production Sound
[Article by Ian Palmer] Dreambase is the result of Alex and Mark’s (two ex-Dolby employees) desire to setup their own post-production sound facility and work in the more creative side of the film industry. Dreambase is located in the former GWR radio studios with two edit rooms and a VO Booth/ Foley Room between the two rooms. I visited there last year simply to say hello and … [Read more...]
The Sound of ‘Cowboys & Aliens’
Mix Magazine has published a detailed article on the sound of Jon Favreau's recent film, 'Cowboys & Aliens'. It features interviews with Favreau's long time re-recording mixer/sound designer Chris Boyes, supervising sound editor Frank Eulner, sound designer David Farmer, composer Harry Gregson-Williams, music editor Meri Gavin and score engineer/mixer Malcolm Luker. I was … [Read more...]