Designing Sound

Art and technique of sound design

The Sound of "Invictus"

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New sound for film profile by SoundWorksCollection this time for Invictus. Director Clint Eastwood reunites with his longtime collaborators Supervising Sound Editor Alan Robert Murray and Sound Re-Recording Mixer Gregg Rudloff. In this profile the sound team discuss the challenges and unique sound opportunities that take the audience on location to Cape Town and Johannesburg, … [Read more...]

Interview with Raison Varner, Sound Designer of Borderlands

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Dallas Taylor, from Defacto Sound, had a very nice interview with Raison Varner, sound designer of Borderlands, at Gearbox Software. They talk about the music, sound design and audio development in general. Check some excerpts: Defacto Sound: How long was the Development cycle? Raison Varner: The development cycle for audio is different than the cycle of the entire project. … [Read more...]

Exclusive Interview with Paul Ottosson, Sound Designer of "2012"

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Last week, I had a great interview with Paul N. J. Ottosson, sound designer and supervising sound editor of 2012, talking about the sound of the film. I hope you enjoy it, let's read! Designing Sound: First of all give us an introduction about your carreer and your past works. Paul Ottosson: I've been a sound supervisor and sound designer on movies like 2012 , The Hurt … [Read more...]

Andrew Lackey Special: Foley Sessions for Games

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Andrew Lackey has a lot of experience with foley. Let's check this article from Wabi Sabi Sound (Andrew's company) about the approach of foley sessions in game audio production: A foley recording session can be a great way to get tons of unique material for your game. However many colleagues complain to me that their sessions were a bust. Their sessions didn’t go well and the … [Read more...]

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