Sometimes the last thing we as audio professionals want is the degradation of the audio that we are working with, though often, we use sonic degradation for many creative audio endeavours. This month, we would like to explore the good, and the bad of sonic degradation within sound design.
As always, we encourage contributions from our community of readers. Please feel free to chime in on this month’s topic, and also, as always, you can always go “off-topic” or start preparing something for next month’s (which will be “Time/Project Management”). Just email doron [at] this site to get the ball rolling!