For July I decided to make a special of Gary Rydstrom, a seven-time Academy Award-winning sound designer and director. Some info (Wiki):
Rydstrom graduated from the University of Southern California School of Cinematic Arts in 1981. He began his career at Skywalker Sound, Northern California in 1983. Offered the job by a college professor, Gary received the opportunity to work with his mentor, Star Wars sound designer Ben Burtt.
After gaining invaluable experience as a sound technician in Indiana Jones and the Temple of Doom, he went on to do sound design for the comedy Spaceballs. The sound design for Backdraft, prepared from scratch, would become the precursor for his sound for Terminator 2: Judgment Day. The original sound effects from Backdraft are constantly referenced and have been used for numerous other films including the The Lord of the Rings film trilogy and Shrek.
Gary Rydstrom’s work on Terminator 2: Judgment Day is arguably his career crowning achievement where he pioneered original techniques still used to this day for creating realistic sound effects. Even to this day Terminator 2 is considered the benchmark for high-end motion picture sound design and Gary went on to win an Academy Award for his groundbreaking achievement.
Gary’s sound work on Jurassic Park was a milestone in terms of innovation as he and his team set out to create dinosaur sounds by mixing together numerous different animal vocalizations to make the audience feel as though giant bellowing prehistoric beasts surrounded them. The Oscar-winning film took a giant leap in being the very first motion picture to be presented in DTS.
He subsequently went on to work on sound for numerous successful films including Titanic, Saving Private Ryan (for which he won his third Academy Award), Minority Report and Finding Nemo. He won an MPSE lifetime achievement award for his stunning career and regularly speaks at various sound design forums sharing his extensive knowledge and enthusiasm with aspiring sound design artists.
He has recently made his directorial debut with the Pixar animated short, Lifted, for which he received his fourteenth Academy Award nomination. He is currently directing Newt for Pixar.
Academy Awards & Nominations
- Academy Award Nomination for Best Sound Editing – Finding Nemo, Minority Report and Monsters, Inc.
- Academy Award Nomination for Best Sound – Star Wars: Episode I – The Phantom Menace
- Academy Award for Best Sound – Titanic, Jurassic Park, Terminator 2: Judgment Day, Backdraft and Saving Private Ryan
- Academy Award Nomination for Best Effects/Sound Effects Editing – Backdraft
- Academy Award for Best Effects/Sound Effects Editing – Saving Private Ryan, Jurassic Park and Terminator 2: Judgment Day
Featured Work
- Lifted (2006) – Sound designer
- Hulk (2003) – Sound designer and Sound re-recording mixer
- Finding Nemo (2003) – Sound designer, Sound re-recording mixer and Supervising sound editor
- Minority Report (2002) – Sound designer, Sound re-recording mixer and Supervising sound editor
- Star Wars: Episode II – Attack of the Clones (2002) – Sound re-recording mixer
- Monsters, Inc. (2001) – Sound designer and Sound re-recording mixer
- Artificial Intelligence: AI (2001) – Sound designer, Sound re-recording mixer and Supervising sound editor
- Toy Story 2 (1999) – Sound designer and Sound re-recording mixer
- Star Wars: Episode I – The Phantom Menace (1999) – Sound re-recording mixer
- A Bug’s Life (1998) – Sound designer and Sound re-recording mixer
- Titanic (1997) – Sound re-recording mixer
- Hercules (1997) – Sound designer and Sound re-recording mixer
- Mission: Impossible (1996) – Sound re-recording mixer
- Jumanji (1995) – Sound designer
- Toy Story (1995) Sound designer and Sound re-recording mixer
- Jurassic Park (1993) – Sound designer and Sound re-recording mixer
- Terminator 2: Judgment Day (1991) – Sound designer and Sound re-recording mixer
- Backdraft (1991) – Sound designer and Sound re-recording mixer)
- Spaceballs (1987) – Sound designer
[…] U.S.O has published an interesting post about the sound and music of Saving Private Ryan, a film with the sound design of our Julys’s featured: Gary Rydstrom. […]