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The Bourne Ultimatum

August 2, 2007 by Jake Riehle

Jason Bourne breaks back into theaters August 3rd. Helping to sell all the close-quarter sounds are sound supervisors Karen Baker Landers and Per Hallberg. The film was mixed at Todd-AO WEST in Gary Summers, David Parker, Bob Beemer, and Scott Milan’s dub stage. production mixer Kirk Francis shot the location dialog while composer John Powell scored the film at Abbey Road. Sorry for the brief entry on this film but you can get your film sound fix with the recently published Mix Magazine article HERE. There is great coverage on the LA based foley stage “One Step Up” which foley artist Dan O’Connell(brother of mixer Kevin O’Connell) shoots feet and props on some pretty big films…

“O’Connell says that when possible, they’ll try to match the feeling of existing production tracks: “If we can fall into that area sonically, it helps the dubbing mixers in the long run because if they have to match something we’re doing into a scene that exists, it’s an easier time for them.” Adds Baker Landers, “The art of great Foley is that it sounds like it was recorded on the day [the visuals were shot].”–Mix Magazine Aug 2007

TODD-AO STAGE 2

SUPERVISING SOUND EDITOR: Karen Baker Landers

SUPERVISING SOUND EDITOR: Per Hallberg

RE-RECORDING MIXER: Scott Millan

RE-RECORDING MIXER: David Parker

RE-RECORDING MIXER: Gary Summers

RE-RECORDING MIXER: Bob Beemer

PRODUCTION SOUND MIXER: Krik Francis

ABBEY ROAD

COMPOSER: John Powell

Filed Under: news Tagged With: article, dan o'connell, films, foley, interview, mix, mix online, recording, the bourne ultimatum

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