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Surprises

May 17, 2011 by Miguel Isaza

"There's no excuse for having a mental or creative block in sound. You can just go out and collect things in the real world - they make the sound, not you. It's very restricting to always use a library for sound effects. It's much more interesting and freeing to go out and record new sounds because you never know what you're going to get." - Gary Rydstrom … [Read more...]

Dolby Video Interviews: Gary Rydstrom, Tom Myers, Jeff Haboush, Erik Aadahl

April 4, 2011 by Miguel Isaza

[youtube]http://www.youtube.com/watch?v=AY9D6-rpchY[/youtube] Dolby has published a series of video interviews on his YouTube channel, featuring interesting talks with Gary Rydstrom, Tom Myers, Jeff Haboush, Erik Aadahl. I've published the videos on Designing Sound TV: Sound Designer and Mixer Gary Rydstrom Talks About Cinema Sound Sound Mixer Jeff Haboush Talks About … [Read more...]

Opposite

March 8, 2011 by Miguel Isaza

"Sometimes in the creativity area like sound, my instincts tell me to do one thing, but I do exactly the opposite and see what happens. For example, if you're designing a scary weird creature, try putting in a high-pitched, low-level sound. Who knows, maybe that will be scarier." - Gary Rydstrom … [Read more...]

Speaking the Language of Horror Film Sound, New Book

January 25, 2011 by Miguel Isaza

Time to get yourself a new book, huh? Look at this: "A fascinating behind the scenes look at the previously unexplored territory of horror film sound.. Through in-depth analysis of sound in the films of Dario Argento and discussions with leading practitioners, this book explores our inherent relationship with sound; examining how and why specific sounds are chosen and utilised … [Read more...]

Friday Game: Looking for Chicken Clucks in "Saving Private Ryan"

October 15, 2010 by Miguel Isaza

[youtube]http://www.youtube.com/watch?v=LIEx9gVTuRk&feature=related[/youtube] Charles Maynes sent me this video of an scene from Saving Private Ryan (which by the way is one of my favorite scenes in films ever) and asked me if I could hear some cool chicken clucks included in a particular moment of the scene. And he adds: This would be a great example of Gary Rydstrom … [Read more...]

Chaos

October 7, 2010 by Miguel Isaza

"The thing you learn in film sound over the years is that if you have it being loud and chaotic over a long period of time it starts to lose impact, no matter what you do." -Gary Rydstrom … [Read more...]

Charles Maynes Special: Sound for War Films [Pt. 2] – “Flags of Our Fathers” and “Letters from Iwo Jima”

June 10, 2010 by Miguel Isaza

In the films “Flags of Our Fathers” and “Letters from Iwo Jima” the challanges were different but not by a huge margin- Alan Murray, longtime Supervising Sound Editor for Clint Eastwood, was very committed to making an accurate and dynamic track for the Battle of Iwo Jima, and had a special investment in the effort since his father was a USMC tank crew member in the battle. … [Read more...]

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