Certainly. I’ll pose these as questions, because you may need to ask in this manner to get the conversation started:

– Does this sound [define] something about the character/space?
– Should this sound [lull] the audience into a quiet space?
– Does the sound [convey] any meaning to the character?
– Should this sound [attack], or just [step] in?
– Who should this sound [scare]? The character, the audience, both?
– Do you want the sound to really [hammer] the point home?

The broadest example of would be to ask, “What do you want the sound to [do] here?”