Comments on: Capturing Personality in Animal Recordings https://designingsound.org/2014/02/10/capturing-personality-in-animal-recordings/ Art and technique of sound design Sun, 09 Aug 2015 17:13:01 +0000 hourly 1 https://wordpress.org/?v=6.2.8 By: Shaun Farley https://designingsound.org/2014/02/10/capturing-personality-in-animal-recordings/#comment-158411 Tue, 25 Feb 2014 05:06:56 +0000 https://designingsound.org/?p=26102#comment-158411 In reply to Tomek.

For the most part, I was there following him around, Tomek. The only time I left mics up and a recorder running without constantly adjusting mic position was the overnight recordings I did to capture the sounds he makes when dreaming. After living with me for so many years, Loki is relatively accustomed to me handling microphones. Loki can be very easy to work with, in that he gets very focused on whatever has captured his attention. If he thinks he’s going to get food, he doesn’t really care what you stick in his face. If there’s someone outside, he wants them to come in…and he will NOT stop expressing that for a while. lol

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By: Tomek https://designingsound.org/2014/02/10/capturing-personality-in-animal-recordings/#comment-158195 Mon, 24 Feb 2014 16:22:13 +0000 https://designingsound.org/?p=26102#comment-158195 Really inspiring article!

I got one question: did you participate in those recordings or you’ve just set up the mike and waited for some hours? I’m wondering whether Loki was aware you’re nearby while barking ;) I’m asking because of some issues you mentioned in the beginning, like “act differently when your boss is around? Your parents? Your significant other? Your best friend? When you’re by yourself?”. Did you try to leave Loki with a stranger (stranger from Loki’s perspective of course ;) ).

Cheers!

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By: Niall B https://designingsound.org/2014/02/10/capturing-personality-in-animal-recordings/#comment-152231 Tue, 11 Feb 2014 10:22:47 +0000 https://designingsound.org/?p=26102#comment-152231 Nice article…and I enjoyed listening to Loki’s various expressions which are practically a snap to my dogs expressions in reaction to the very same situations.

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By: Shaun Farley https://designingsound.org/2014/02/10/capturing-personality-in-animal-recordings/#comment-151834 Mon, 10 Feb 2014 20:13:58 +0000 https://designingsound.org/?p=26102#comment-151834 In reply to Hubert.

Correction. The “dreaming” had a little noise reduction. I wasn’t paying attention to the setup when I started the 744T, as I was about to go to bed myself. Didn’t realize I had the inputs “linked,” and setting the gain on the second input actually panned the signal away from the record track. Had to add gain to that particular sound, then used a combination of RX3 and Waves WNS to get rid of the system noise. Been running the recorder for the last few nights in the hopes he’ll dream again. ;)

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By: Shaun Farley https://designingsound.org/2014/02/10/capturing-personality-in-animal-recordings/#comment-151803 Mon, 10 Feb 2014 19:09:54 +0000 https://designingsound.org/?p=26102#comment-151803 In reply to Hubert.

No post processing, Hubert. Just edits. The panting was recorded a few years ago using a Sony PCM-D50. Everything else was recorded using an AKG C393B (Blue Line with hypercardioid capsule) and Sound Devices 744T…most of it on Friday (the “dreaming” recording, being the only exception).

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By: Hubert https://designingsound.org/2014/02/10/capturing-personality-in-animal-recordings/#comment-151759 Mon, 10 Feb 2014 17:53:51 +0000 https://designingsound.org/?p=26102#comment-151759 Great article and fun to read! Can I ask what equipment (mics, recorders) did you use for this? The barks sound fantastic. Did you do any post processing too?

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By: Richard Gould https://designingsound.org/2014/02/10/capturing-personality-in-animal-recordings/#comment-151742 Mon, 10 Feb 2014 17:30:39 +0000 https://designingsound.org/?p=26102#comment-151742 Loved this, would have been fun to have all the sounds unattributed and challenged us to pick up on the subtle differences that are indicative of the emotion at play.

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