Comments on: Field Recording and Music https://designingsound.org/2013/10/23/field-recording-and-music/ Art and technique of sound design Wed, 06 Jul 2016 17:07:34 +0000 hourly 1 https://wordpress.org/?v=6.2.8 By: Kris Reeder https://designingsound.org/2013/10/23/field-recording-and-music/#comment-184297 Wed, 16 Apr 2014 08:56:30 +0000 https://designingsound.org/?p=25180#comment-184297 A really interesting video! Would be great to put some Trombone if it’s something you’re interested in.

]]> By: Lindsey W. https://designingsound.org/2013/10/23/field-recording-and-music/#comment-95050 Fri, 08 Nov 2013 14:53:49 +0000 https://designingsound.org/?p=25180#comment-95050 In reply to Sterling O. Curtis.

That’s what I aim to do too–try to capture how I think it sounds or how I think it should sound–unless I’m trying to experiment with different sounds/techniques.

Very cool video, I have been field recording sounds to make music recently–so this is inspiring to me!

]]> By: Enos Desjardins https://designingsound.org/2013/10/23/field-recording-and-music/#comment-88235 Mon, 28 Oct 2013 12:58:17 +0000 https://designingsound.org/?p=25180#comment-88235 Looks and sounds really great!!! Nice and inspiring :)

]]> By: Sterling O. Curtis https://designingsound.org/2013/10/23/field-recording-and-music/#comment-87551 Sun, 27 Oct 2013 12:53:29 +0000 https://designingsound.org/?p=25180#comment-87551 Many of the words we might use in describing why a recording doesn’t sound quite right — murky, muddy, muffled, bright, tinny, crisp, harsh, nasal, boxy — describe EQ problems. Part of my goal in EQ is to avoid all these problem qualities, and make the recording sound like the piano sounds in real life — or in my imagination.

]]> By: Weekly sounds: Helmholtz resonance, Audio Branding Barometer 2013 and auditory-visual Beethoven | sounDesign https://designingsound.org/2013/10/23/field-recording-and-music/#comment-86761 Fri, 25 Oct 2013 22:59:36 +0000 https://designingsound.org/?p=25180#comment-86761 […] Field Recording and Music is a great guest post by Dan Lyth about the hard work for creating an outdoor-recorded album of music. You can watch a video teaser of his upcoming album below. […]

]]> By: Dan Lyth https://designingsound.org/2013/10/23/field-recording-and-music/#comment-86125 Thu, 24 Oct 2013 13:43:32 +0000 https://designingsound.org/?p=25180#comment-86125 For those of you interested, the omni mics that I mention are Brad Avenson’s STO-2’s and the pre-amp is a Naiant Littlebox from Jon O’Neil. The STO-2’s sound great although I have to say they are a little noisy on quieter sources. The pre-amp is also excellent and with the lithium ion battery option, you get hours of full, clean phantom power.

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