Comments on: The Sound of Looper – Interview with Jeremy Peirson https://designingsound.org/2013/05/30/the-sound-of-looper-interview-with-jeremy-peirson/ Art and technique of sound design Tue, 21 Mar 2017 04:18:49 +0000 hourly 1 https://wordpress.org/?v=6.2.8 By: Sound Design Assignment 4 Presentation (March 21st 2017) – Howard Park Sound Design https://designingsound.org/2013/05/30/the-sound-of-looper-interview-with-jeremy-peirson/#comment-527647 Tue, 21 Mar 2017 04:18:49 +0000 https://designingsound.org/?p=23324#comment-527647 […] and does so in a way that directly contrasts from the “sounds of the present”. In an interview with the movie’s sound designer, Jeremy Peirson, he states that one of the bigger challenges in sound production was using sound to create […]

]]> By: Nathan Johnson on creating a sound-based score for Looper | Uber Patrol - The Definitive Cool Guide https://designingsound.org/2013/05/30/the-sound-of-looper-interview-with-jeremy-peirson/#comment-50659 Mon, 01 Jul 2013 05:45:07 +0000 https://designingsound.org/?p=23324#comment-50659 […] of the rhythms off of divisions of 60 beats per minute. (EB: Read Shaun Farley’s excellent interview with Peirson about those ticks and […]

]]> By: Nathan Johnson on creating a sound-based score for Looper : Designing Sound https://designingsound.org/2013/05/30/the-sound-of-looper-interview-with-jeremy-peirson/#comment-50521 Sun, 30 Jun 2013 12:15:59 +0000 https://designingsound.org/?p=23324#comment-50521 […] of the rhythms off of divisions of 60 beats per minute. (EB: Read Shaun Farley’s excellent interview with Peirson about those ticks and […]

]]> By: dizzyies https://designingsound.org/2013/05/30/the-sound-of-looper-interview-with-jeremy-peirson/#comment-44701 Sun, 09 Jun 2013 14:04:57 +0000 https://designingsound.org/?p=23324#comment-44701 Really nice stuff, as usual. Particularly valuable the concept and use of evolving- and emotional- backgrounds. Not pure “location-wise” ambiences. This wonderful movie is studded with that kind of sound flowing textures strictly related to music, foleys and effects.
I roughly estimated a ratio of far more than 50% of these mix-ins in relation to the whole duration of the movie, balancing with the sum of pure ambiences or silent cuts, also mentioned in the interview. Their backgrounds and tonals-drones build up with really dense-grain, it let me suppose a lot of creative re-recording and post work!
Thanks for the interview,
diz.

]]> By: The Sound Of Looper | Epic Sound https://designingsound.org/2013/05/30/the-sound-of-looper-interview-with-jeremy-peirson/#comment-43983 Fri, 07 Jun 2013 07:22:14 +0000 https://designingsound.org/?p=23324#comment-43983 […] Read the full interview on the sound for Looper here. […]

]]> By: Matt https://designingsound.org/2013/05/30/the-sound-of-looper-interview-with-jeremy-peirson/#comment-42376 Mon, 03 Jun 2013 03:20:44 +0000 https://designingsound.org/?p=23324#comment-42376 Very good interview. Great to hear Jeremy’s side of the process. The score for this film is incredible and the interesting use of bass frequencies in both the music and sound design hooked me right away.

]]> By: hzandbits https://designingsound.org/2013/05/30/the-sound-of-looper-interview-with-jeremy-peirson/#comment-41877 Sat, 01 Jun 2013 18:18:50 +0000 https://designingsound.org/?p=23324#comment-41877 Great interview – thanks for getting this out to the people! Still haven’t seen Looper, but now it’s even more on my must-watch list. From description only, I like the idea of silencing backgrounds in moments crucial for the characters and/or the plot.
Sort of shaking the diegesis, I suppose.

Thanks again!

]]> By: Matthew Boulton https://designingsound.org/2013/05/30/the-sound-of-looper-interview-with-jeremy-peirson/#comment-41553 Sat, 01 Jun 2013 00:29:44 +0000 https://designingsound.org/?p=23324#comment-41553 Great interview, thanks Shaun and Jeremy,

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