we’ve discovered that this is an issue with Mac/Apple products with retinal displays. Not much we can do about it at the moment, but thanks for mentioning it.

Ok thanks I’ll try it out

If you have a properly miked recording that has too much reverb for your tastes, it can do a great job. If you something that was poorly miked with a lot of reverb, it’s effectiveness takes a hit (the significance of which is largely dependent on how poorly the audio was recorded). Overall, it can turn out far better results than the old stand-by of multi-band expansion. Only you can decide if it’s appropriate for your workflow. If you’re really curious, go download the demo and try it out. It’s almost fully functional. Spend a good deal of time experimenting though, as it’s got a steep learning curve. You can grab the demo here.

This might be different used in context in dialogue editing, which are always mono anyway. Possibly some examples specific to DX editing might be good, not really seeing how useful this would be for reverb reduction.