Comments on: Recording Impulse Responses https://designingsound.org/2012/12/29/recording-impulse-responses/ Art and technique of sound design Fri, 26 Oct 2018 14:52:51 +0000 hourly 1 https://wordpress.org/?v=6.2.9 By: Aida Khorsandi https://designingsound.org/2012/12/29/recording-impulse-responses/#comment-590882 Fri, 26 Oct 2018 14:52:51 +0000 https://designingsound.org/?p=14487#comment-590882 Great article! However I wish you would provide some references for who look for extended and detailed information!

]]> By: Modeller & Effekte für Gitarren 2017 – Best of Breed https://designingsound.org/2012/12/29/recording-impulse-responses/#comment-547344 Sat, 14 Oct 2017 17:43:36 +0000 https://designingsound.org/?p=14487#comment-547344 […] dieser Methode können aber auch Hall-Akustiken von Kirchen und ganze Rigs (siehe Kemper) vermessen und dann digital reproduziert […]

]]> By: Nicolas Nimlos https://designingsound.org/2012/12/29/recording-impulse-responses/#comment-486192 Thu, 15 Sep 2016 09:36:52 +0000 https://designingsound.org/?p=14487#comment-486192 Really great article! Im going to try make some IRs with Deconvolver, Thanks for advice!

]]> By: John Cannon https://designingsound.org/2012/12/29/recording-impulse-responses/#comment-473474 Fri, 15 Apr 2016 15:59:14 +0000 https://designingsound.org/?p=14487#comment-473474 This is an excellent article. I am looking to use Altiverb to capture my 1850 sq. ft. studio each of the 7 rooms. Any advice or tips and tricks beyond this will be greatly appreciated!

]]> By: Jim https://designingsound.org/2012/12/29/recording-impulse-responses/#comment-410480 Fri, 29 May 2015 01:21:25 +0000 https://designingsound.org/?p=14487#comment-410480 Any idea how I can use microphone impulse
responses? Is it possible to use them in a
live performance?
thanks

]]> By: Jack Sandrey https://designingsound.org/2012/12/29/recording-impulse-responses/#comment-404178 Mon, 04 May 2015 15:53:28 +0000 https://designingsound.org/?p=14487#comment-404178 Fantastic article, I haven’t thought about exciting gear and objects before!
But how would one excite a glass jar? (For example)

Thanks,

Jack

]]> By: How To Record A Live Band's Performance Perfectly https://designingsound.org/2012/12/29/recording-impulse-responses/#comment-396209 Mon, 30 Mar 2015 11:51:47 +0000 https://designingsound.org/?p=14487#comment-396209 […] with different impulse response reverbs to try and match the sound of the room. I have even created my own impulse response of the room before the band loads in (although this is obviously a time consuming process that isn’t always […]

]]> By: Spaces From Noise | Designing Sound https://designingsound.org/2012/12/29/recording-impulse-responses/#comment-278851 Mon, 29 Sep 2014 20:51:10 +0000 https://designingsound.org/?p=14487#comment-278851 […] Impulse responses are great for recreating spaces, whether it is a resonant glass bottle or a large cave. Here’s a handy a trick for sculpting your own impulse responses, and therefore your own reverbs, from something that we spend a lot of time getting rid of — noise! […]

]]> By: Listening Machine Proto-Project – Testing the Echo | Sound Art 202-02 https://designingsound.org/2012/12/29/recording-impulse-responses/#comment-275903 Mon, 22 Sep 2014 23:14:26 +0000 https://designingsound.org/?p=14487#comment-275903 […] useful links for convolution (I relied heavily on the second one): https://designingsound.org/2012/12/recording-impulse-responses/ […]

]]> By: Which reverb?! | guregor11 https://designingsound.org/2012/12/29/recording-impulse-responses/#comment-265299 Fri, 29 Aug 2014 11:19:59 +0000 https://designingsound.org/?p=14487#comment-265299 […] with sharp transients, e.g. starter pistols, popping balloons or snare drum crack. As explained by designingsound.org, Sine sweeps covering the entire audible frequency spectrum tend to be the preferred method of […]

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