Comments on: Psychoacoustics: Faking the Space https://designingsound.org/2012/12/03/psychoacoustics-faking-the-space/ Art and technique of sound design Wed, 06 Jul 2016 17:07:42 +0000 hourly 1 https://wordpress.org/?v=6.2.9 By: Psicoacustica: Falsificare lo spazio | Mirko Perri Sound Blog https://designingsound.org/2012/12/03/psychoacoustics-faking-the-space/#comment-37003 Sun, 19 May 2013 11:13:56 +0000 https://designingsound.org/?p=14127#comment-37003 […] la traduzione di un’articolo di Shaun Farley su designingsound.org che spiega nel dettaglio un’utilissima tecnica di […]

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By: Robert Reilly https://designingsound.org/2012/12/03/psychoacoustics-faking-the-space/#comment-3706 Fri, 21 Dec 2012 04:39:52 +0000 https://designingsound.org/?p=14127#comment-3706 Can’t wait to try this!  Thanks for the great article.

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By: 50 Must-Read Pro Audio Articles from 2012 https://designingsound.org/2012/12/03/psychoacoustics-faking-the-space/#comment-3705 Thu, 20 Dec 2012 23:06:24 +0000 https://designingsound.org/?p=14127#comment-3705 […] Psychoacoustics: Faking the Space  […]

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By: Psychoacoustics: Faking the Space - https://designingsound.org/2012/12/03/psychoacoustics-faking-the-space/#comment-3704 Tue, 18 Dec 2012 17:26:21 +0000 https://designingsound.org/?p=14127#comment-3704 […] Read the full article here: Psychoacoustics: Faking the Space […]

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By: Brandon Wells https://designingsound.org/2012/12/03/psychoacoustics-faking-the-space/#comment-3703 Tue, 11 Dec 2012 16:01:22 +0000 https://designingsound.org/?p=14127#comment-3703 Great article..I will be playing with this!

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By: Kevin https://designingsound.org/2012/12/03/psychoacoustics-faking-the-space/#comment-3702 Thu, 06 Dec 2012 17:21:27 +0000 https://designingsound.org/?p=14127#comment-3702 I forgot to mention that I invert the phase on one of the sides.

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By: Kevin https://designingsound.org/2012/12/03/psychoacoustics-faking-the-space/#comment-3701 Thu, 06 Dec 2012 17:20:07 +0000 https://designingsound.org/?p=14127#comment-3701 What is the best method for faking a non morphing stereo file with a single mono source? Typically I duplicate the mono file to hard L & R and nudge one side a small amount, maybe 5-10ms. Is that right? Thanks for the article btw.

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By: gLOW-x https://designingsound.org/2012/12/03/psychoacoustics-faking-the-space/#comment-3700 Thu, 06 Dec 2012 17:11:40 +0000 https://designingsound.org/?p=14127#comment-3700 Thanks !
It pushed me back to use Haas effect.

I tried this in the 0-10ms comb-filtering region for a simple reason : i worked only with instruments ;)
Too much troubles with combfiltering…
And when you are over 10ms with an instrument, the delay is so obvious there is no more space effect.Even more with transients (like you said).
You clearly hear that “slapback” effect.
I ended up thinking it is useless with instruments.
I prefer some stereo chorus (things like Stereoizer Hbasm ).

I will try back with FX and other non musical material now ;)

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By: David https://designingsound.org/2012/12/03/psychoacoustics-faking-the-space/#comment-3699 Tue, 04 Dec 2012 07:42:14 +0000 https://designingsound.org/?p=14127#comment-3699 Down with reverb! Down with Reverb. We want morphing!! We want morph stuff. Reverb month protest here. Down with Reverbs!! We want morphing!

I need a Sound Morphing month where you give us some incite on stuff like Symbolic Sound Paca-whatever, Prosoniq Morph, etc. I need to know more about morphing sound……..Uhmm Please.

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By: Shaun Farley https://designingsound.org/2012/12/03/psychoacoustics-faking-the-space/#comment-3698 Mon, 03 Dec 2012 22:05:19 +0000 https://designingsound.org/?p=14127#comment-3698 In reply to Douglas Murray.

Thanks for the kind words, Douglas. Those are some great points, too. I work a lot on television material in both PAL and NTSC. Because I’m frequently jumping back and forth between the two, it’s important for me to keep the absolute values in mind so that I don’t muck it all up. Thanks for providing that other point of reference!

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