Comments on: “Limbo” – Exclusive Interview with Martin Stig Andersen

By: Assessment 1 – Martin Stig Anderson – – Studio Project

Assessment 1 – Martin Stig Anderson – – Studio Project — Mon, 12 Dec 2016 12:47:26 +0000

[…] old wire-recorders and tape-recorders they came to echo a distant past.’ (M. S. Anderson, https://designingsound.org/2011/08/limbo-exclusive-interview-with-martin-stig-andersen/ ). This technique would have been one i would have done, although I couldn’t find a wire […]

By: GDC 2016 – Inside Ourselves « Luca Fusi

GDC 2016 – Inside Ourselves « Luca Fusi — Thu, 31 Mar 2016 22:10:56 +0000

[…] “Limbo” – Exclusive Interview with Martin Stig Andersen […]

By: A Game That Listens – The Audio of INSIDE « Luca Fusi

A Game That Listens – The Audio of INSIDE « Luca Fusi — Thu, 31 Mar 2016 22:03:30 +0000

[…] “Limbo” – Exclusive Interview with Martin Stig Andersen […]

By: Weekly Article Recap for 9/12 - 9/16/2011 | IPR Blog

Weekly Article Recap for 9/12 - 9/16/2011 | IPR Blog — Thu, 12 Feb 2015 20:22:31 +0000

[…] have a little digital assistance, and Monday was off to a slow start until I found this interview: Interview with “Limbo” Sound Designer Stig Andersen. I don’t talk about video games much on the blog, but I’m gamer geek for sure, and the game […]

By: Pioneers on the Ludomusical Frontier: Sound Art and Spectromorphology in Games | Jon Bash | Composer, Musician

Sat, 12 Apr 2014 23:23:30 +0000

[…] As Smalley has pointed out and Manuella Blackburn has elaborated on, although the language was developed from a listener’s perspective to aid in a multi-layered understanding of what is being heard, knowledge of this language can inform composition, playing into or against expectations and common tropes. Martin Stig Andersen’s sounds in Limbo often tend to follow this pattern of spectromorphological attention to detail. The previous example from the game, even without the context of its game, can stand alone when the various elements of sound design and musical elements come together. Within the context of the game, they create something new entirely. In interviews, Andersen has expressed an awareness of what he calls the “seamless transitions between realism and abstraction.” He states further: […]

By: Wwise Limbo Redux Contest | Designing Sound Designing Sound

Wwise Limbo Redux Contest | Designing Sound Designing Sound — Wed, 20 Nov 2013 05:43:56 +0000

[…] for its combination of fluid gameplay, beautiful art style, and evocative sound design. The 2011 DS interview with the game’s Sound Designer, Martin Stig Andersen, gives great insight into the creative […]

By: Qasim Assad

Qasim Assad — Wed, 01 Aug 2012 08:29:57 +0000

Fast Furrier Transform (FFT) is
Fast Fourier Transform (FFT)

By: Settling the Score – what does the music in games do?

Settling the Score – what does the music in games do? — Sun, 05 Feb 2012 17:57:24 +0000

[…] your sound effects play as “music” rather than adding some traditional background music.” (source). A lot of players need music to feel as if they’re really immersed in their virtual […]

By: Weekly Article Recap for 9/12 – 9/16/2011 | IPR Blog

Weekly Article Recap for 9/12 – 9/16/2011 | IPR Blog — Fri, 16 Sep 2011 21:13:20 +0000

By: Develop: Martin Stig Andersen on “Limbo”

Develop: Martin Stig Andersen on “Limbo” — Wed, 07 Sep 2011 21:02:27 +0000

[…] related article: Damian’s interview with Martin on DS. composing, develop magazine, game audio, limbo, martin stig andersen, music, pdf, sound, sound […]