Comments on: Your Questions to Charles Maynes https://designingsound.org/2010/06/04/your-questions-to-charles-maynes/ Art and technique of sound design Sat, 23 Feb 2013 16:55:58 +0000 hourly 1 https://wordpress.org/?v=6.2.9 By: EcorryBargy https://designingsound.org/2010/06/04/your-questions-to-charles-maynes/#comment-1076 Sun, 25 Jul 2010 00:22:00 +0000 https://designingsound.org/2010/06/your-questions-to-charles-maynes/#comment-1076 hello

im new here and found some things i would like to share! thanks!

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]]> By: jw https://designingsound.org/2010/06/04/your-questions-to-charles-maynes/#comment-1075 Mon, 28 Jun 2010 22:18:47 +0000 https://designingsound.org/2010/06/your-questions-to-charles-maynes/#comment-1075 Hi Charles,

First of all thanks for the articles, they’ve been a great read and really insightful. I have a few questions that perhaps you could answer.

1. Are you pretty much an ITB guy now or do you still break out the outboard gear these days?

2. Do you heavily master your weapons recordings to give them more punch? i.e. L2, c4, inflator, or is that something you leave to the design suite or mixing stage?

3. And lastly, in the same way various sound people have said that they get taken out of a movie by a clichéd door or scream, do you find yourself wincing at the cutting of incorrect guns in movies?

Cheers

]]> By: Varun Nair https://designingsound.org/2010/06/04/your-questions-to-charles-maynes/#comment-1074 Thu, 24 Jun 2010 11:04:15 +0000 https://designingsound.org/2010/06/your-questions-to-charles-maynes/#comment-1074 Hi Charles

What’s your trick to staying creative & keeping your ideas fresh – especially during schedules that never seem to have enough time?

Cheers

]]> By: Enos https://designingsound.org/2010/06/04/your-questions-to-charles-maynes/#comment-1073 Wed, 09 Jun 2010 01:28:42 +0000 https://designingsound.org/2010/06/your-questions-to-charles-maynes/#comment-1073 When cutting gun fx (shots,bullet whizz-bys,impacts,etc…) to picture do you end up using a lot of sweetening or do you get most done with raw recordings?

How about processing such as Dopler,filtering,etc…

]]> By: Haydn Payne https://designingsound.org/2010/06/04/your-questions-to-charles-maynes/#comment-1072 Sat, 05 Jun 2010 19:45:30 +0000 https://designingsound.org/2010/06/your-questions-to-charles-maynes/#comment-1072 Hi Charles,
I see you have done loads of weapons recording, I dont have any experience of that but I would love to try it. Do you ever use analogue tape to record gun/explosion sounds?

]]> By: Charles Maynes https://designingsound.org/2010/06/04/your-questions-to-charles-maynes/#comment-1071 Sat, 05 Jun 2010 04:32:21 +0000 https://designingsound.org/2010/06/your-questions-to-charles-maynes/#comment-1071 your welcome Mike- hopefully they helped make Origins cool!

As to kicking ass…. I dont know how to respond to that one….

]]> By: Mike Niederquell https://designingsound.org/2010/06/04/your-questions-to-charles-maynes/#comment-1070 Fri, 04 Jun 2010 17:26:03 +0000 https://designingsound.org/2010/06/your-questions-to-charles-maynes/#comment-1070 How did you come to kick so much ass? Thanks for the weapon recordings!

Thanks,

Mike Niederquell
High Moon Studios

]]> By: Designing Sound » Charles Maynes Special: Exclusive Interview https://designingsound.org/2010/06/04/your-questions-to-charles-maynes/#comment-1069 Fri, 04 Jun 2010 16:20:03 +0000 https://designingsound.org/2010/06/your-questions-to-charles-maynes/#comment-1069 […] Let’s get started with the Charles Maynes Special. I interviewed him about the general aspects of his career, his tools, workflow, creativity techniques, and more. If you want to ask something to Charles, please go here. […]

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