Comments on: Charles Deenen Special: 100 Whooshes in 2 Minutes

By: 100 Whooshes in 2 Minutes Demonstration – Pro Tools 12 | Emre Ekici Audio Services

Fri, 20 Apr 2018 05:56:43 +0000

[…] https://designingsound.org/2010/02/26/charles-deenen-special-100-whooshes-in-2-minutes/ […]

By: Charles Deenen

Charles Deenen — Fri, 13 Apr 2018 05:08:01 +0000

In reply to Khan.

Awesome to read this Khan! If you wouldn’t mind to share you template with me. A friend wants it in Logic or Reaper, I don’t have either. i don’t even have my own template in protools anymore.
[email protected]

cheers ! Charles Deenen

By: Rodney

Rodney — Mon, 06 Nov 2017 20:05:35 +0000

Great stuff! I just finished adding this functionality to my Nuendo 7 template. The routing had to be worked out due to the limitations of the Group and FX tracks, but it functions the same way.

By: Case study – Using spatial sound in RoboRaid | IT狂人

Case study – Using spatial sound in RoboRaid | IT狂人 — Sun, 09 Oct 2016 02:44:26 +0000

[…] *(If you’d like more information about creating an audio asset with the Doppler effect built in, check out an article by sound designer Charles Deenan called 100 Whooshes in 2 Minutes.) […]

By: The Tonebenders Share Plugin Secrets | Designing Sound

The Tonebenders Share Plugin Secrets | Designing Sound — Sun, 09 Aug 2015 16:42:10 +0000

[…] here’s a quickie tutorial I just did with regards to how I use the Waves doppler plugin to make bys out of steady onboard vehicle recordings. In this case I used the onboards that I recorded of my motorcycle a few weeks back. Structurally, the concept draws heavily from Charles Deenan’s 100 whooshes in 2 minutes tutorial on designingsound.org […]

By: Serge Eybog

Serge Eybog — Tue, 04 Nov 2014 19:34:05 +0000

Thank you for a great article! I tried to recreate everything in Cubase, didn’t truly succeed with the last part of the tutorial, but I managed to generate a lot of nice whooshes and impacts which I can use as a construction kit. :)

By: Chad

Chad — Tue, 26 Aug 2014 05:03:50 +0000

This process can now be highly simplified by a new software suite from the guys at sound morph. It’s called Wavewarper. Check it out!!!

Used it today for the first time and it blew my mind. Still a bit buggy with the preset functions so remember your settings by doing a screen capture just in case. Well worth the $99 for the bundle now. Two other amazing sound design tools are included as well.

Enjoy!

By: Jacob Coles

Jacob Coles — Thu, 27 Feb 2014 18:04:38 +0000

In reply to Gavin Law.

Hello, does anyone have a PT session for this? I’d love to have a crack at it, but wasn’t too sure how to set up the routing correctly.

Regards,
Jacob

By: Whoosh Review | Designing Sound Designing Sound

Whoosh Review | Designing Sound Designing Sound — Tue, 25 Feb 2014 17:46:53 +0000

[…] complex and varied motion elements and pass-bys. The basic idea behind the tool is similar to a post here on Designing Sound by Charles Deenen, which was later built into a Kyma patch by Jean-Edouard Miclot. Whoosh simplifies the process of […]

By: Khan

Khan — Thu, 06 Feb 2014 11:16:07 +0000

This is really great – making wooshes for dance music often turns into drab whitenoise builds, which is pretty boring. However, it took me a while to really figure out the details of this tutorial. One thing that needed to click for me was this: most gates I set up are all-or-nothing gates that provide a sort of staccato effect. That’s NOT how the gate is used here: the gate simply provides for a sudden boost in level once you hit a certain threshold (maybe… 12-18dB?), and with good hold/release settings on the gate you can also tail it out neatly.

I suppose the sounds themselves need to convey a lot of movement/excitement to provide the needed interest (the FX can help with that).

I used to build wooshes by applying massive reverbs to audio hits, and reversing these for buildups. The method described here is way more fun/intuitive. Kudos.