Comments on: Your questions to Richard Devine! https://designingsound.org/2010/01/07/your-questions-to-richard-devine/ Art and technique of sound design Sat, 23 Feb 2013 16:56:02 +0000 hourly 1 https://wordpress.org/?v=6.2.8 By: Miguel Isaza https://designingsound.org/2010/01/07/your-questions-to-richard-devine/#comment-469 Mon, 15 Feb 2010 18:09:41 +0000 https://designingsound.org/?p=2245#comment-469 The answers are published!

Check: https://designingsound.org/2010/02/richard-devine-answers-to-questions-from-the-readers/

Thanks for participating!

]]> By: Franck https://designingsound.org/2010/01/07/your-questions-to-richard-devine/#comment-468 Wed, 27 Jan 2010 14:27:11 +0000 https://designingsound.org/?p=2245#comment-468 As a fan of your work ,i have several questions about it:

Do you think that a sound designer has to be a musician first ?

What are your advices to compose a sound design démo ( style, format etc…)?

What are the basics to know before creating a commercial music and sound libraries?

what are the most important application’s domain where sound design have a crucial place and by this way , where and what is the futur of sound exploration?

which are your “desert island” hardware and software tools you couldn’t live without ?( except heart and brain;-)

Thank you very much and keep on the nice work.

Franck .Paris .France

Ps: sorry for my not so bad english;-)

]]> By: Designing Sound » Richard Devine Special: Studio Tour [Part 2] https://designingsound.org/2010/01/07/your-questions-to-richard-devine/#comment-467 Tue, 26 Jan 2010 15:34:58 +0000 https://designingsound.org/?p=2245#comment-467 […] There are a lot of people interested on the gear of Richard, so here is some porn. The second part of the tour on Richard Devine’s studio, this time with his toys, recording stuff and software…  If you want to know more about the gear, and how Richard use it, remember to make your questions. […]

]]> By: Harley Mellifont https://designingsound.org/2010/01/07/your-questions-to-richard-devine/#comment-466 Sat, 23 Jan 2010 17:04:20 +0000 https://designingsound.org/?p=2245#comment-466 Hi Richard,

Thanks so much for your great releases and contributions to the sound design and music world. Your music in particular never has a dull moment, I find I can continually listen and always find new and interesting parts that I previously overlooked. It is very inspirational. Thanks again!

I have a few questions for you:

1. I have read that you have written FFT applications in SuperCollider. What kind of applications were these? What are some of your favourite ideas/experiments to do when working in the frequency domain?

2. When programming in an environment like CSound/SuperCollider/MaxMSP, do you tend to start with a basic idea and just experiment? Or do you have a very clear idea of what you want to achieve from the beginning?

3. How on earth do you manage your sample collection and VSTs? Do you tend to forget about large parts of it and just continually create new sounds?

4. Do you ever struggle with patience during the creative process? If so, how often?

5. I find the way I interact with software/hardware tends to determine a lot of characteristics of the output. This makes me always want to interact with new interfaces, or rethink the way I currently interact. Have you noticed this? What are some of your favourite hardware or software interfaces for creating sound?

6. Could you recommend any particular books or resources on digital signal processing?

Thanks again!
-Harley

]]> By: Gabriel Ramos https://designingsound.org/2010/01/07/your-questions-to-richard-devine/#comment-465 Fri, 22 Jan 2010 20:01:38 +0000 https://designingsound.org/?p=2245#comment-465 Just uploaded
http://www.youtube.com/watch?v=Eh_djFiM18E

]]> By: Radek https://designingsound.org/2010/01/07/your-questions-to-richard-devine/#comment-464 Thu, 21 Jan 2010 18:57:17 +0000 https://designingsound.org/?p=2245#comment-464 Richard,
If you were to built ultimate, small, quite portable modular what would that be? Which modules would you use? If thats not possible what are your favourite modules?

]]> By: subjex https://designingsound.org/2010/01/07/your-questions-to-richard-devine/#comment-463 Tue, 19 Jan 2010 18:37:31 +0000 https://designingsound.org/?p=2245#comment-463 Hi Richard
one of the most impressing thing in your setup to me is this weird hairy humanoid device called Josh. I heard it sounds great, i need one, where did you get yours ?
cheers

]]> By: Göran Sandström https://designingsound.org/2010/01/07/your-questions-to-richard-devine/#comment-462 Wed, 13 Jan 2010 19:34:27 +0000 https://designingsound.org/?p=2245#comment-462 What do you think about the development of electronic music in general?
Do you think we will see a move towards multi-channel music?
What implications do you think the availability of software like Max4Live will have on contemporary music?
What is, in your opinion, the least utilized form of sound processing, with the most unexplored potential?
Thanks!

]]> By: Neryba https://designingsound.org/2010/01/07/your-questions-to-richard-devine/#comment-461 Wed, 13 Jan 2010 17:38:42 +0000 https://designingsound.org/?p=2245#comment-461 Richard, Im a fan of the presets you collaborate for the industry. My question is: do you use presets in your music?

]]> By: Pippo Blisset https://designingsound.org/2010/01/07/your-questions-to-richard-devine/#comment-460 Sun, 10 Jan 2010 11:32:15 +0000 https://designingsound.org/?p=2245#comment-460 Hello Richard, I really enjoy your music and equally your sound design is great!! I’d like you share with us some trick on programming Elektrons Gear, mine sound like fart ;) At least can you share with us some sysex dumps? Thank You.

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