I contacted Jeremy Peirson, the sound designer for Looper (2012), to talk about his role in the best received time travel movie in a very long time. What…
In light of the film opening this weekend, I thought that I would remind you that we have an interview with Antonio Campos (director) and Coll Anderson (sound…
While AES42 compliant digital microphones are relatively new to the audio world, they’re not “brand-spanking” new. There have been several on the market for a few years now,…
We’re getting very close to the end of 2012 and there’s been lots of brilliant sonic experiences in the cinema throughout the year. One that really stood out,…
In early March, I took a trip back home to visit my family and some friends. My buddy, and featured sound designer here on the site, Coll Anderson…
The guys at Tonsturm have released their sixth library, called Clocks. With this sound pack you get a huge variety of ticking and chiming clock sound effects, recorded…
Article by Jeff Seamster Those of us working in the field of audio production are accustomed to either a lengthy haul of design and content creation starting in…
DS: Like many other audio professionals that I know, you’ve got a background in music. Do you consider that the driving force behind entering an audio profession? How…
I got Harry Cohen on the phone to talk about one of my favorite scenes, the opening of Inglourious Basterds. There’s nothing big or over the top in…
Did you miss the live chat with Ann Kroeber today? Rejoice! There is a recording available. A huge round of thanks goes out to Ann for taking the…
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