There’s a whole heap of stuff going on in the independent SFX community that’s worth making note of. So, here goes…
New Libraries Available Now…
New Sound Lab’s Optical Drives
This library features recordings of computer optical disc drives (two internal desktop CD/DVD-R and one internal laptop slim CD/DVD-R slot-load).
Two induction coil pickups were used to record the electromagnetic fields emitted by the drives, capturing a very unique set of sounds and textures. These range from sharp percussive bleeps, glitchy static and noise, to electromechanical motor sounds, and drones. You’ll find use for many applications, including UI interface design, transitions, sci-fi, robot/servo sounds, technology, and computer sound effects.
Recordings include all functions of the DVD drives, e.g. disc loading, reading, writing/burning, spin up/down, errors, and disc ejecting. Also, each drive was taken apart and manipulated to create additional sounds.
Check it out here!
Here are all of the libraries of note we’ve spotted since the last round-up back in the beginning of April…in the order of most recent first (working from here…so forgive me if I’ve confused dates).
Machine Guns HD Pro SFX Trailer from Frank Bry on Vimeo.
Presenting Machine Guns HD Pro Sound Effects Library. This 24-Bit/96kHz collection features four fully automatic weapons recorded at a wide open 400 acre ranch in North Idaho. With a mountain ridge in front and open field behind, the guns generated a breathtaking echo while at the same time the “close up and personal” microphones capture the intense muzzle blast and mechanics of each weapon in stunning detail.
Sound Effects Independence continues, and February turned out to be a pretty busy month! Here are the latest independent libraries to released. [That we've noticed.]
Chuck Russom FX
Chuck Russom has just released his first new library in what feels like a VERY long time, Designed Whooshes 2. It’s about damned time! ;) [Remember that Chuck frequently gives out discount codes to those who are on his mailing list. May I suggest that you sign up for that?]
Article By: Frank Bry
Transient enhancement plug-ins are wonderful tools to have in a sound designer’s arsenal. They can be used to soften a sound or to make it balls to the wall, hard hitting intense. Explosion sounds really benefit from this type of process. If you have recorded explosions, you may already have discovered that live is much better than tape, or should I say “BWAV file.” The human body feels the concussion wave from a powerful blast as well as hearing it. The sound still feels massive even when wearing hearing protection . In the video you will see the snow lift off the ground a little bit, and it’s especially noticeable in slow motion. When you load the raw sound files into your DAW to listen to them they seem a little limp (no pun intended). So, bring on the transient enhancement!
This leads me to the next area of this article which is recording the sounds. This article will serve a dual purpose in a way. I was going to write a separate article comparing the new Rycote ORTF mount for one of my Sennheiser MKH-8040ST microphone sets and a standard XY mount for my other MKH-8040ST. At the end of the article, I will get into this more. (Note: this article is not a product review even though it might sound like it at times. I will just share my thoughts with you on each plug-in used in this demonstration.)
The sounds I recorded for this demonstration were done in my front yard here on the ranch on a very cold day; it was just under 20°F with very little wind. I hauled my gear out the door and set up in my driveway which is currently surrounded by tall snow banks. I used two SD-702 recorders synced together and set them up 25 meters away from the explosive targets. I would shoot from this position with a .22 caliber rifle. The microphones were about half way between me and the doomed snow bank. Explosions in a snowy, winter environment are actually perfect candidates for this kind of transient process because most of the initial intense mid and high frequency energy is instantly absorbed by the soft blanket of powder snow. This makes the sound more like deep pop. Even with all the natural sound absorption there is still a great deal of sound during the first few hundred milliseconds – we just need to bring it out.
The Sennheiser MKH-8040 microphones record way beyond 20k, and they also record a fair amount of sub-sonic information too. To see how much and at what frequencies this very low end energy is, I turn to Waves H-EQ. This plug-in has nothing to do with transient enhancement, but it does effect how the transient plug-in reacts to the explosion especially when pitched down. I love this plug-in since I can see what’s going on with level and frequency at the same time and adjust accordingly with the various EQ emulations and parameters. As you can see in the H-EQ screenshot, there is quite a bit of sub-sonic energy between 10 and 20Hz. I added a slight roll-off at 16Hz and a slight bump in the upper range. There is also a decent spike at 100Hz, but I will leave that alone because when the explosion is pitched down an octave it becomes 50Hz and that might work in our favor.
Black Friday/Cyber Monday wasn’t your only opportunity to take advantage of some awesome deals. Whether it’s the holidays or the countdown to the New Year, deals start popping up out of the woodwork. There are already a bunch in available in the lead up to 2013. Here’s a run-down of what we’ve seen so far…